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uˆ¤‘ Šzåä”Å •‚¢ŠGãډԖ¼•i‘I ŽÊŠyv
ŽRŒûŒjŽO˜Y

1993”NA¬ŠwŠÙ

9,000‰~

uŽÊŠyi•¡»‹ÑŠG40–‡“ü‚èjv

1996”NA–kŠC“¹V•·ŽÐ

8,000‰~

u“Á•Ê“W ŽÊŠyv

2011”NA“Œ‹ž‘—§”Ž•¨ŠÙ/“Œ‹žV•·/NHK/NHKƒvƒƒ‚[ƒVƒ‡ƒ“

2,000‰~

uŠì‘½ì‰Ì–›i”ül‰æ70“_jv

1979”NAV_ŒËV•·ŽÐ

3,500‰~

uŠì‘½ì‰Ì–› ‘å‹Ñ‘g•¨it‰æ12–‡“ü‚èjv

A•Ÿ“c˜a•Fi‰ðàj

3,000‰~

uƒXƒ|ƒ‹ƒfƒBƒ“ƒOEƒRƒŒƒNƒVƒ‡ƒ“ ‰Ì–› ƒxƒXƒgƒZƒŒƒNƒVƒ‡ƒ“ 1i•¡»‰æ8“_ƒZƒbƒgA–ؐ»Šz1“_•t‚«jv
¬—Ñ’‰iŠÄCj

2008”NAŒ|pV•·ŽÐ

30,000‰~

uŒ|pV’ª 1990”N4ŒŽ “ÁWF‰Ì–›v

1990”NAV’ªŽÐ

600‰~

u‘–F ‹ÅÖ ‚È‚ñ‚Å‚à‚±‚¢ƒb“W‚¾ƒBIv

2004”NA“Œ‹žƒXƒe[ƒVƒ‡ƒ“ƒMƒƒƒ‰ƒŠ[

3,000‰~

uƒXƒvƒŠƒ“ƒOƒtƒB[ƒ‹ƒh”üpŠÙ ”é‘ •‚¢ŠG–¼•i“Wv

1994”NA‘ÛƒA[ƒg

1,800‰~

u]ŒË‚ÌŒ€‰æ‰Æ ‘–F‚̐¢ŠE“Wv

1995”NA–ˆ“úV•·ŽÐ

2,000‰~

u‰Ìì‘–F Šï‚Ə΂¢‚̖ؔʼnæv

2010”NA•{’†Žs”üpŠÙ

2,000‰~

u‘–FŒ|p‚Ì‘S–ev

1999”NA•‚¢ŠG ‘¾“c‹L”O”üpŠÙ

3,000‰~

u¶’a200”N‹L”O“W Ldv

1996”NA‰¤ŽÉé”üp•ó•¨ŠÙ

2,000‰~

u“Á•Ê“WuœAdvv

1994”NA“ú–{•‚¢ŠGŠw‰ï

1,000‰~

u²ì”üpŽ‘—¿ŠÙ •‚¢ŠGƒRƒŒƒNƒVƒ‡ƒ“ ‘S3Šª‘µi]ŒË‚Ì•‚¢ŠG/Ld‚Ì•‚¢ŠG/–¾Ž¡‚Ì•‚¢ŠGjv
²ì”üpŽ‘—¿ŠÙi•ÒWj

1990”NA²ìo”Å

18,000‰~

u‰ÌìLd –¼Š]ŒË•SŒi(Hiroshige: One Hundred Famous Views of Edo)‰p“Æ•§3ƒ–‘Œê”Łv
Melanie Trede/Lorenz Bichler

2008”NATaschen America

20,000‰~

u‰ÌìLd –¼Š]ŒË•SŒi ‰p“ú•§3ƒ–‘Œê”Łv
ƒƒ‰ƒj[EƒgƒŒ[ƒf/ƒ[ƒŒƒ“ƒcEƒrƒqƒ‰[

2008”NAƒ^ƒbƒVƒFƒ“

18,000‰~

uLd –¼Š]ŒË•SŒi(Hiroshige One Hundred Famous Views of Edo)v
Ando Hiroshige/Henry D.smith II/Amy G.Poster/Arnold L.Lehman

1986”NAGeorge Braziller/Brooklyn Museum of Art

5,000‰~

uœAd‰æ “ŒŠC“¹ŒÜ\ŽOŽŸi‘S55–‡‘µjv

1999”NAŽR‰A’†‰›V•ñŽÐ

ÝŒÉØ‚ê

uœAd‰æ “ŒŠC“¹ŒÜ\ŽOŽŸi‘S55–‡‘µjv

1999”NA’†“úV•·ŽÐ

8,500‰~

uœAd‰æ —ꏑ”ŁE“ŒŠC“¹ŒÜ\ŽOŽŸi‘S55–‡‘µjv

1979”NA‘Ûî•ñŽÐ

12,000‰~

u“ŒŠC“¹E–Ø‘\ŠX“¹ Ld “ñ‘åŠX“¹•‚¢ŠG“Wv

2006”NANHKƒvƒƒ‚[ƒVƒ‡ƒ“

2,500‰~

u‘å“ú–{˜Z\éPB–¼Ÿ}‰ï ˆê—§ÖœAd‰æi‘S70–‡‘µjv

AGallery Urban

6,500‰~

u–kÖ‚Ì•xŽm •y›ÔŽO\˜ZŒi‚Æ•x›Ô•SŒiv

2010”NAƒA[ƒgƒƒ“

3,000‰~

u–kÖ‚Æ‹ÅÖ Šï‘z‚Ì–Ÿ‰æv

2013”NA‘¾“c‹L”O”üpŠÙ

3,000‰~

u–kÖ“W HOKUSAIi2005”Njv

2005”NA“ú–{ŒoÏV•·ŽÐ

2,500‰~

u–kÖ“W Siebold • Hokusai and his Traditionv

2007”NA“Œ‹žV•·

3,000‰~

uŠ‹ü–kÖ•M •y–ŽO\˜ZŒii1965”Nji‘S46–‡‘µjv
–ìŠÔ´˜ZA‹e’n’å•viŠÄCj

1965”NAW‰pŽÐ

15,000‰~

uŠ‹ü–kÖ•M •x–ŽO\˜ZŒii‘S46–‡‘µjv

1991”NA’†“úV•·–{ŽÐ

12,000‰~

uŠ‹ü–kÖ•M •x–ŽO\˜ZŒii‘S46–‡‘µjv

1982”NA‹¤“¯’ʐMŽÐ

ÝŒÉØ‚ê

uŠ‹ü–kÖ‰æ •y›ÔŽO\˜ZŒiikü”Å•¡»–ؔʼnæj46–‡‚Ì‚¤‚¿1–‡Œ‡v
Œ´‰æFŠ‹ü–kâVAŠÄCFåŒ´‹g˜YA ŽtF•Ä“cåU‘¢A§ìFŒ|䇓°

2003”NAƒCƒ“ƒyƒŠƒAƒ‹ ƒA[ƒgƒMƒƒƒ‰ƒŠ[

15,000‰~

u–kÖv
ƒWƒƒƒ“EƒJƒ‹ƒEƒJƒ‹ƒcƒ@

2005”NAƒtƒ@ƒCƒhƒ“

3,500‰~

u‚ ‚Á‚Ï‚ê–kÖI Œõ‚̉¤‘“Wv

2013”NAŠ‹ü–kÖƒŠEƒNƒŠƒGƒCƒgŽÀsˆÏˆõ‰ï

1,200‰~

uˆÉ“¡Žá™t ƒAƒiƒU[ƒ[ƒ‹ƒhv

2010”NAƒ}ƒ“ƒSƒXƒeƒBƒ“

4,500‰~

u“Á•Ê“W ‹÷“cì ]ŒË‚ªˆ¤‚µ‚½•—Œiv

2010”NA“Œ‹ž“s]ŒË“Œ‹ž”Ž•¨ŠÙ/“Ç”„V•·ŽÐ

2,000‰~

u“Á•Ê“W ‹÷“cì ]ŒË‚ªˆ¤‚µ‚½•—Œiv

2010”NA“Œ‹ž“s]ŒË“Œ‹ž”Ž•¨ŠÙ/“Ç”„V•·ŽÐ

2,000‰~

uu“ŒŠC“¹‚©‚烂ƒ“ƒXƒjŽR‚܂Łv“W(Du Tokaido au Mont-Cenis: Dialogues pittoresques en zigzag = From Tokaido au Mont-Cenis : a picturesque dialogue in zigzag)v

1998”NAMusee olympique Lausanne

1,500‰~

u]ŒË‚̃Vƒ…[ƒ‹‚ŃŠƒAƒ‹‚È”ü ‹Á‚«‚Ì•‚¢ŠG Surprising Ukiyoev

2004”NA‰ªèŽs/’†“úV•·ŽÐ

2,000‰~

u]ŒË‚ÌÊ Žì‹Ê‚Ì•‚¢ŠGƒRƒŒƒNƒVƒ‡ƒ“v

2010”NA‘¾“c‹L”O”üpŠÙ

2,000‰~

u]ŒË‚Ì‰Ø ‰Ì•‘ŠêŠG“W ‹ß¢‰Šú•—‘­‰æ‚©‚ç–‹––•‚¢ŠG‚܂Łv

1999”NA“Œ•”üpŠÙ

1,000‰~

uƒ{ƒXƒgƒ“”üpŠÙ •‚¢ŠG–¼•i“W ‹ÑŠG‚̉©‹àŽž‘㠐´’·A‰Ì–›AŽÊŠyi2010”Njv

2010”NA“ú–{ŒoÏV•·ŽÐ

2,000‰~

uŒŽ‰ª–F”N“W ÅŒã‚Ì“VË•‚¢ŠGŽtv

1995”NA“ú–{ŒoÏV•·ŽÐ

2,000‰~

u‹ÑŠG‚Í‚¢‚©‚ɂ‚­‚ç‚ꂽ‚©v
‘—§—ðŽj–¯‘­”Ž•¨ŠÙ

2009”NA—ðŽj–¯‘­”Ž•¨ŠÙU‹»‰ï

3,000‰~

u‰_’J“™Šç‚Æ“ŽRŽž‘ãv

1984”NAŽRŒûŒ§—§”üpŠÙ

2,000‰~

u‰_’J”h‚ÌŒn•ˆ áM‚ÌŒãŒpŽÒ‚½‚¿v

1986”NAŽRŒûŒ§—§”üpŠÙ

4,500‰~

u]ŒË‚Ì‰Ø •‚¢ŠG“W ‹ÑŠG”ʼnæ‚̐¬—§‰ß’öv

1999”NA’¬“cŽs—§‘Û”ʼnæ”üpŠÙ

2,000‰~

uL'Empire du regard Mille ans de peinture japonaisei“ú–{ŠG‰æç”Njv
Maurice Coyaud

1981”NAPhebus

5,000‰~

u‰Í“ç‹ÅÖ“W ”ü‚µ‚«—Xv

1999”NAŒÃ‰ÍŽs

2,500‰~

uÂt‚Ì•‚¢ŠGŽt —é–؏tM ]ŒË‚̃Jƒ‰ƒŠƒXƒg“oêv

2002”NAç—tŽs”üpŠÙ/ŽRŒûŒ§—§”‹”üpŠÙE‰Yã‹L”OŠÙ

5,000‰~

u•ŽÒŠG ]ŒË‚̉p—Y‘å}ŠÓv

2003”NAa’J‹æ—§¼““”üpŠÙ

7,000‰~

u•ŽÒŠG‚̐¢ŠE“W •`‚©‚ꂽ•Žm‚½‚¿v

2007”NA’·–쌧M”Z”üpŠÙ

3,500‰~

uåú“W ƒ†[ƒ‚ƒA‚ɂ‚‚܂ꂽ‘T‚Ì‚±‚±‚ëv

1986”NA•Ÿ‰ªŽs”üpŠÙ

2,500‰~

u‚¨“a—l‚Ì—VŒ| Šy‚µ‚Ý‚È‚ª‚ç•`‚¢‚Ä‚Ý‚Þ ]ŒË•¶‰»ƒVƒŠ[ƒY22v

2006”NA”‹´‹æ—§”üpŠÙ

2,000‰~

u•x‰ª“SÖ^ÖW¬ •x‰ª“SÖŠÓ’èˆÏˆõ‰ï“ñ\Žü”N‹L”Ov

2015”NA•x‰ª“SÖŠÓ’èˆÏˆõ‰ï

5,000‰~

u‚É‚á‚ñ‚Æ‚à”L‚¾‚炯v

2006”NA•½–Ø•‚¢ŠGà’c

2,000‰~

uƒjƒƒƒ“ƒ_ƒtƒ‹I •‚¢ŠG‚Ë‚±‚̐¢ŠE“Wv

2016”NAƒXƒeƒbƒvEƒC[ƒXƒg

3,000‰~
ƒy[ƒW‚̐擪‚Ö

 
Ÿ“©Œ|AHŒ|‚ÌŠÖ˜A¤•iiŒÃ‘j

uƒ~ƒ“©ì•i“W(Miro Ceramista)v

1993”NAElecta

ÝŒÉØ‚ê

uƒsƒJƒ\“©Ší“W(Picasso : Ceramiste a VallaurisAPieces uniques)v
Sandra Benadretti-Pellard

2004”NAChiron

6,000‰~

uƒsƒJƒ\“©Œ|“W Ceramic Works of Picassov

2004”NAƒG[EƒA[ƒ‹Eƒs[

ÝŒÉØ‚ê

uMŠy šâ’†‚Ì“Vv

1999”NAMIHO MUSEUM

11,000‰~

u‚©‚ç‚Ђ˘ð ìŠì“c”¼“DŽqErì–L‘ EŽO—Ö‹x˜aE‹àd“©—zv

2006”NA‚µ‚Ԃ⍕“c“©‰‘

3,000‰~

uŒÃ“‚’à ‘å‚¢‚È‚é‚â‚«‚à‚Ì‚ÌŽž‘ãv

2017”NAoŒõ”üpŠÙ

ÝŒÉØ‚ê

u‚Í‚¬‚â‚«“W ”jŠi‚Æ‘O‰q‚Ì‘¢Œ`v

1995”NAŽRŒûŒ§—§”üpŠÙ

2,000‰~

u´…‹ã•ºåʓ©’¤“W Packv

1997”NAƒtƒWƒeƒŒƒrƒMƒƒƒ‰ƒŠ[

500‰~

uŠ£ŽR —Hℂƕ—‰ë‚̐¢ŠEv

2004”NAMIHO MUSEUM

1,500‰~

uƒAƒhƒŠƒAƒ“Eƒfƒ…ƒu[ƒVƒF ƒŠƒ‚[ƒWƒ…‘—§“©Ž¥”Ž•¨ŠÙv
ƒVƒƒƒ“ƒ^ƒ‹EƒƒXƒ‰ƒ“ƒyƒŠƒG

1993”NAƒŠƒ‚[ƒWƒ…‘—§“©Ž¥”Ž•¨ŠÙ

2,000‰~

uƒtƒ‰ƒ“ƒXˆóÛ”h‚Ì“©Ž¥Ší 1866-1886 ƒWƒƒƒ|ƒjƒYƒ€‚̐¬nv

2013”NAƒA[ƒgƒCƒ“ƒvƒŒƒbƒVƒ‡ƒ“

1,500‰~

uŽ¥Ší “ú–{‚Ì“Œ¼‚ÌŽ¥Ší 1610-1760(Jiki Porcellana giapponese tra Oriente e Occidente 1610-1760)v

2004”NAElecta

4,000‰~

uQuiet Beauty: Fifty Centuries of Japanese Folk Ceramics from the Montgomery Collectioni“ꕶŽž‘ã‚©‚猻‘ã‚Ü‚Å‚Ì“ú–{“©Šíjv
Robert Moes/Rupert Faulkner

2003”NAArt Services International

3,500‰~

u’ƒ‚Ì“’‚Ì‚¤‚Â‚í ˜aŠ¿‚̐¢ŠEv

2017”NAoŒõ”üpŠÙ

1,500‰~

uƒKƒŒ‚ƃWƒƒƒ|ƒjƒXƒ€v

2008”NAƒTƒ“ƒgƒŠ[”üpŠÙ

2,000‰~

uƒGƒ~[ƒ‹EƒKƒŒ ‘n‘¢‚Ì‹OÕ“Wv
—é–ØŒ‰iŠÄCj

2005”NA“ú–{ŒoÏV•·ŽÐ

2,500‰~

u‚è‚ÌŒ|p ƒ‹ƒlEƒ‰ƒŠƒbƒN“Wi2û‘gjv

1990”NA–ˆ“úV•·ŽÐ

2,500‰~

uƒ„ƒ}ƒUƒLƒ}ƒUƒbƒN”üpŠÙ HåYv

2010”NAƒ„ƒ}ƒUƒLƒ}ƒUƒbƒN”üpŠÙ

800‰~

u–k‘å˜H˜DŽRl‚Ì”ü ˜aH‚Ì“VËv

2015”NANHKƒvƒƒ‚[ƒVƒ‡ƒ“/“ú–{ŒoÏV•·ŽÐ

800‰~

u“ŽRŽž‘ã‚̍HŒ|v
‹ž“s‘—§”Ž•¨ŠÙi•ÒWj

1977”NA’WŒðŽÐ

1,000‰~

u“ú–{‚Ì“©Ž¥9 Š`‰E‰q–åv
—щ®°ŽOiÓ”C•ÒWj

1974”NA’†‰›Œö˜_ŽÐ

800‰~

u“ú–{“©Ž¥ oŒõ”üpŠÙ‘ •i}˜^v

1990”NAoŒõ”üpŠÙ

5,000‰~

uˆÉ–œ—¢E“瓇“ñ•S‘Iv
ŒI“c‰p’j

1997”NAŒI“c”üpŠÙ

2,000‰~

u“ú–{‚Ì“©Ž¥2 Žu–ìv
—щ®°ŽOiÓ”C•ÒWj

1988”NA’†‰›Œö˜_ŽÐ

800‰~

u“ú–{‚Ì“©Ž¥4 D•”v
—щ®°ŽOiÓ”C•ÒWj

1988”NA’†‰›Œö˜_ŽÐ

1,000‰~

u“ú–{‚Ì“©Ž¥5 “‚’Áv
—щ®°ŽOiÓ”C•ÒWj

1989”NA’†‰›Œö˜_ŽÐ

1,000‰~

u“ú–{‚Ì“©Ž¥6 ”õ‘Ov
—щ®°ŽOiÓ”C•ÒWj

1989”NA’†‰›Œö˜_ŽÐ

ÝŒÉØ‚ê

u“ú–{‚Ì“©Ž¥7 ˆÉ‰ê MŠy ’O”gv
—щ®°ŽOiÓ”C•ÒWj

1988”NA’†‰›Œö˜_ŽÐ

1,000‰~

u“ú–{‚Ì“©Ž¥8 ŒÃˆÉ–œ—¢v
—щ®°ŽOiÓ”C•ÒWj

1989”NA’†‰›Œö˜_ŽÐ

ÝŒÉØ‚ê

u“ú–{‚Ì“©Ž¥12 m´ Š£ŽRv
—щ®°ŽOiÓ”C•ÒWj

1989”NA’†‰›Œö˜_ŽÐ

1,000‰~

u“ú–{‚Ì“©Ž¥13 ‹žÄv
—щ®°ŽOiÓ”C•ÒWj

1989”NA’†‰›Œö˜_ŽÐ

1,000‰~

u2014”N“ú’†ŠØ‘—§”Ž•¨ŠÙ‡“¯Šé‰æ“Á•Ê“W “ŒƒAƒWƒA‚Ì‰Ø “©Ž¥–¼•i“Wv

2014”NA“Œ‹ž‘—§”Ž•¨ŠÙ

1,200‰~

u–Ø–È‚Ì“‡X ƒCƒ“ƒhƒlƒVƒA‚̐õD ƒGƒCƒREƒNƒXƒ}EƒRƒŒƒNƒVƒ‡ƒ“v

2003”NA•Ÿ‰ªŽs”üpŠÙ/a’J‹æ—§¼Ÿ·”üpŠÙ

1,200‰~

u}ˆÄƒ‰ƒCƒt “ú}‘n—§35Žü”N‹L”O“Á•Ê†v
“ú–{}ˆÄ‰Æ‹¦‰ïi•ÒWj

1983”NA”ª•ó“°

2,000‰~

uà–aõDƒRƒŒƒNƒVƒ‡ƒ“v
à–a‘@ˆÛ”üpŠÙ

1961”NAƒJƒlƒ{ƒEƒtƒ@ƒbƒVƒ‡ƒ“Œ¤‹†Š

1,200‰~

uƒWƒƒƒXŽÑv
‹g–{”E

1996”NA•½–}ŽÐ

12,000‰~

uŽR•Ó’msƒRƒŒƒNƒVƒ‡ƒ“ II ¢ŠE‚̐õD 1v
’·Žõ‚ðj‚¤‰ï •Ò

1984”NAŒ¹—¬ŽÐ

3,500‰~

uŽR•Ó’msƒRƒŒƒNƒVƒ‡ƒ“ III ¢ŠE‚̐õD 2v
’·Žõ‚ðj‚¤‰ï •Ò

1985”NAŒ¹—¬ŽÐ

4,500‰~

uŽR•Ó’msƒRƒŒƒNƒVƒ‡ƒ“ V “ú–{‚̐õD 2v
’·Žõ‚ðj‚¤‰ï •Ò

1985”NAŒ¹—¬ŽÐ

4,500‰~

uŽR•Ó’msƒRƒŒƒNƒVƒ‡ƒ“ VII •Êûv
’·Žõ‚ðj‚¤‰ï •Ò

1986”NAŒ¹—¬ŽÐ

5,000‰~

u‘•üŽ†F‹NŒ¹A—ðŽjA‹Z–@AŒ|p‚Æ‚ÌŠÖŒW(Buntpapier: Herkommen Geschichte Techniken Beziehungen zur Kunst)v
Albert Haemmerle

1977”NAVerlag Georg DW Callwey

6,500‰~

uƒNƒŠƒ…ƒj[”üpŠÙ‚Ì’†¢‚̃^ƒsƒXƒŠ[(La Tapisserie Medievale au Musee de Cluny)v
Fabienne Joubert

1994”NAReunion des Musees Nationaux

2,000‰~


ƒy[ƒW‚̐擪‚Ö

 
Ÿ‹ï‘Ì‚ÌŠÖ˜A¤•iiŒÃ‘j

uGUTAI ‹ï‘ÌŽ‘—¿W ƒhƒLƒ…ƒƒ“ƒg‹ï‘Ì1954-1972v
ˆ°‰®Žs—§”üp”Ž•¨ŠÙ

1993”NAˆ°‰®Žs•¶‰»U‹»à’c

ÝŒÉØ‚ê

uƒyƒ“ƒ[ƒYEƒCƒ“ƒXƒeƒBƒeƒ…[ƒgŠJŠÙ‹L”O“W ‹ï‘Ì1955/56 “ú–{Œ»‘ã”üp‚̃ŠƒXƒ^[ƒg’n“_ The Gutai Group 1955/56 v
•ÒWF¼Œ´ûaAŽO–Ø‚ ‚«‚±

1993”NAƒyƒ“ƒ[ƒYEƒCƒ“ƒXƒeƒBƒeƒ…[ƒgŽ––±‹Ç

4,000‰~

u‹ï‘Ì –¢Š®‚Ì‘O‰qW’c •ºŒÉŒ§—§‹ß‘ã”üpŠÙŠ‘ ì•i‚𒆐S‚Ɂv

1990”NAa’J‹æ—§¼Ÿ·”üpŠÙ

4,000‰~

u“c’†“ÖŽq –¢’m‚Ì”ü‚Ì’T‹ 1954-2000v

2001”NA“c’†“ÖŽq“WŽÀsˆÏˆõ‰ï/ˆ°‰®Žs—§”üp”Ž•¨ŠÙ/Ã‰ªŒ§—§”üpŠÙ

ÝŒÉØ‚ê

u”’”¯ˆê—Y“Wi1989”Njv

1989”NA“òèŽs‘‡•¶‰»ƒZƒ“ƒ^[

ÝŒÉØ‚ê

u”’”¯ˆê—Y“W(Kazuo Shiraga Six Decades)v
Reiko Tomii/Fergus McCaffrey

2009”NAMcCaffre Fine Art

6,000‰~

u”’”¯ˆê—Y“Wi1973”Njv

1973”NA“Œ‹ž‰æ˜L

6,000‰~

u‹ï‘Ì sˆ×‚ÆŠG‰æ ƒXƒyƒCƒ“Eƒ†[ƒSƒXƒ‰ƒrƒA‹A‘‹L”O“Wv

1986”NA•ºŒÉŒ§—§‹ß‘ã”üpŠÙ

ÝŒÉØ‚ê

u“c’†“ÖŽq ƒA[ƒgEƒIƒuEƒRƒlƒNƒeƒBƒ“ƒOv

2011”NA“Œ‹ž“sŒ»‘ã”üpŠÙ

ÝŒÉØ‚ê



ƒy[ƒW‚̐擪‚Ö

 
ŸƒA[ƒ‹EƒfƒR‚ÌŠÖ˜A¤•iiŒÃ‘j

uƒA[ƒ‹ƒfƒREƒyƒCƒ“ƒeƒBƒ“ƒOv
ƒGƒhƒ[ƒhEƒ‹[ƒV[ƒXƒ~ƒX

1990”NAClarkson Potter

ÝŒÉØ‚ê

uƒA[ƒ‹EƒfƒR“W ‚«‚ç‚ß‚­ƒ‚ƒ_ƒ“‚Ì–²iART DECO 1910-1939jv

2005”NA“Ç”„V•·ŽÐ

ÝŒÉØ‚ê

uƒA[ƒ‹EƒfƒR‚̐¢ŠE ƒtƒ@ƒbƒVƒ‡ƒ“‚𒆐S‚Æ‚µ‚āi1993”Njv

1993”NA–ˆ“úV•·ŽÐ

ÝŒÉØ‚ê

uŒ¶‘zâ‰À ƒA[ƒ‹EƒfƒR‚ƌÓTŽå‹`v

2015”NA“Œ‹ž“s’뉀”üpŠÙ

1,000‰~

uƒA[ƒ‹EƒfƒR‚Æ“Œ—m 1920-30”N‘ãEƒpƒŠ‚𖲂݂½Žž‘ãv

2000”NA“Œ‹ž“s—ðŽj•¶‰»à’c

ÝŒÉØ‚ê

uƒA[ƒ‹EƒfƒREƒWƒ…ƒGƒŠ[ •óüƒfƒUƒCƒ“‚Ì‹SËƒVƒƒƒ‹ƒ‹EƒWƒƒƒR[‚Æ‹P‚¯‚鎞‘ãv
ƒ}ƒ‹ƒeƒB[ƒkEƒVƒƒƒUƒ‹iŠÄCj

2006”NAƒA[ƒgƒRƒ“ƒTƒ‹ƒ^ƒ“ƒgƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹

ÝŒÉØ‚ê


ƒy[ƒW‚̐擪‚Ö

 
ŸƒJƒ^ƒƒOƒŒƒ]ƒl‚ÌŠÖ˜A¤•iiŒÃ‘j

uƒVƒƒƒK[ƒ‹‘}‰æ–{ƒJƒ^ƒƒOƒŒƒ]ƒl(Marc Chagall The Illustrated Books)v

1995”NAPatrick Cramer

11,000‰~

uƒVƒƒƒK[ƒ‹ ƒŠƒgƒOƒ‰ƒtƒJƒ^ƒƒOƒŒƒ]ƒl‘æ5Šª(Chagall Lithographs V 1974-1979)v
Charles Sorlier

1984”NACrown Publishers

6,000‰~

uƒVƒƒƒK[ƒ‹ ƒŠƒgƒOƒ‰ƒt‘Sì•iW “Á‘•ƒZƒbƒgAi‘S3ŠªjƒIƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒtŒ‡v
ƒ}ƒ‹ƒNEƒVƒƒƒK[ƒ‹i’˜ŽÒj/ƒVƒƒƒ‹ƒ‹Eƒ\ƒ‹ƒŠƒGi•ÒŽÒj

1987”NAu’kŽÐ

ÝŒÉØ‚ê

uƒ‹ƒmƒ[ƒ‹”ʼnæƒJƒ^ƒƒOƒŒƒ]ƒl(The Graphic Work of Renoir: Catalog raisonne)v

1976”N AJoseph G. Stella

15,000‰~

uƒpƒuƒEƒsƒJƒ\ ‘}‰æ–{ƒJƒ^ƒƒOƒŒƒ]ƒl(Pablo Picasso The Illustrated Books Catalogue Raisonne)v
Sebastian Goeppert/Herma Goeppert-Frank/Patrick Cramer

1983”NAPatrick Cramer

15,000‰~

uƒpƒuƒEƒsƒJƒ\ ‘}‰æ–{ƒJƒ^ƒƒOƒŒƒ]ƒl(Pablo Picasso The Illustrated Books Catalogue Raisonne)v
Sebastian Goeppert/Herma Goeppert-Frank/Patrick Cramer

1983”NAPatrick Cramer

14,000‰~

uƒ‰ƒEƒ‹Eƒfƒ…ƒtƒB–ûÊƒJƒ^ƒƒOƒŒƒ]ƒl‘æ2Šª(Raoul Dufy Catalogue raisonne de l'oeuvre peint Tome II)v
Maurice Laffaille

1973”NAEditions Motte

20,000‰~

uƒ‰ƒEƒ‹Eƒfƒ…ƒtƒB …ÊEƒOƒƒbƒVƒ…EƒpƒXƒeƒ‹ ƒJƒ^ƒƒOƒŒƒ]ƒl ‘S2Šª‘µ(Raoul Dufy Catalogue Raisonne des Aquarelles Gouaches et Pastels I/II)v
Fanny Guillon-Laffaille

‘æ1Šª1981”N/‘æ2Šª1982”NALouis Carre et Cie

40,000‰~

uƒxƒ‹ƒi[ƒ‹Eƒrƒ…ƒbƒtƒF ƒŠƒgƒOƒ‰ƒt ƒŒƒ]ƒl 1(Bernard Buffet Lithographe I 1952-1977)iƒIƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒt3“_“ü‚èjv
Charles Sorlier

1979”NAEditions d'Art de Francony

45,000‰~

uƒxƒ‹ƒi[ƒ‹Eƒrƒ…ƒbƒtƒF ƒŠƒgƒOƒ‰ƒt ƒŒƒ]ƒl 1(Bernard Buffet Lithographe I 1952-1977)iƒIƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒt3“_“ü‚èjv
Charles Sorlier

1979”NAEditions d'Art de Francony

44,000‰~

uƒxƒ‹ƒi[ƒ‹Eƒrƒ…ƒbƒtƒF ƒŠƒgƒOƒ‰ƒt ƒŒƒ]ƒl 2(Bernard Buffet Lithographe II 1979-1986)iƒIƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒt3“_“ü‚èjv
Charles Sorlier

1987”NAEditions d'Art de Francony

15,000‰~

uƒxƒ‹ƒi[ƒ‹Eƒrƒ…ƒbƒtƒF ƒŠƒgƒOƒ‰ƒt ƒŒƒ]ƒl 2(Bernard Buffet Lithographe II 1979-1986)iƒIƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒt3“_“ü‚èjv
Charles Sorlier

1987”NAEditions d'Art de Francony

ÝŒÉØ‚ê

uƒuƒ‰ƒbƒN”ʼnæƒJƒ^ƒƒOƒŒƒ]ƒl(Braque, L'oeuvre grave catalogue raisonne)v
Dora Vallier

1982”NAFlammarion

7,000‰~

uƒ~ƒ ƒŠƒgƒOƒ‰ƒt V(Miro Lithographs V 1972-1975)v
Patrick Cramer

1992”NAMaeght Editeur

4,500‰~

uƒTƒ€Eƒtƒ‰ƒ“ƒVƒX”ʼnæƒJƒ^ƒƒOƒŒƒ]ƒl(The Prints of Sam Francis: A Catalogue Raisonne 1960-1990)v
C.W.Lembark

1992”NAHudson Hills Pr

ÝŒÉØ‚ê

uƒTƒ€Eƒtƒ‰ƒ“ƒVƒX”ʼnæƒJƒ^ƒƒOƒŒƒ]ƒl(The Prints of Sam Francis: A Catalogue Raisonne 1960-1990)v
C.W.Lembark

1992”NAHudson Hills Pr

22,000‰~

uƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg Das grafische OeuvreiƒIƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒt‚P“_“ü‚è”ʼn惌ƒ]ƒljv

1972”NAGalerie Brusberg

15,000‰~

uƒnƒ“ƒXEƒxƒ‹ƒ[ƒ‹”ʼnæƒJƒ^ƒƒOƒŒƒ]ƒl(Hans Bellmer Oeuvre Grave)v
Andre Pieyre de Mandiargues

1971”NADenoel

5,000‰~

uƒ‚ƒ‰ƒ“ƒfƒB–ûÊƒJƒ^ƒƒOƒŒƒ]ƒl(Morandi catalogo generale)i2û‘gjv
Lamberto Vitali

1983”NAElecta

70,000‰~

uƒGƒSƒ“EƒV[ƒŒ‘Sì•iWi‘•âV”Łj(Egon Schiele The Complete Works Expanded Edition)v
Jane Kallir

1998”NAHarry N Abrams

22,000‰~

uƒ~ƒ“º”ʼnæ–ؔʼnæƒJƒ^ƒƒOƒŒƒ]ƒl‘æ1Šª(Miro Engraver 1928-1960jiƒIƒŠƒWƒiƒ‹–ؔʼnæ2“_“ü‚èjv
Jacques Dupin

1984”NADaniel Lelong

ÝŒÉØ‚ê

uƒWƒ‡ƒAƒ“Eƒ~ƒ ƒŠƒgƒOƒ‰ƒt ‘æ1Šª`‘æ4Šªi4ûƒZƒbƒgj(Joan Miro litografo I`IV)’Ô‚¶ž‚݃IƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒt32“_“ü‚èv
‘æ1ŠªFMichel Leiris/Fernand Mourlot/‘æ2ŠªFRaymond Queneau/‘æ3ŠªFJoan Teixidor/‘æ4ŠªFNicolas and Elena Calas

1972”N`1981”NAEdiciones Poligrafa

ÝŒÉØ‚ê

uƒ~ƒ ƒŠƒgƒOƒ‰ƒt IV(Miro Lithographs IV 1969-1972)iƒIƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒt5“_“ü‚èjv
Nicolas and Elena Calas

1981”NAMaeght Editeur

ÝŒÉØ‚ê

uƒ~ƒ‘}‰æ–{ƒJƒ^ƒƒOƒŒƒ]ƒl(Joan Miro the Illustrated Books: Catalogue Raisonne)v

1989”NAPatrick Cramer

22,000‰~

uƒTƒ“ƒgƒ}ƒ\ŠG‰æƒJƒ^ƒƒOƒŒƒ]ƒl(Santomaso Catalogue Raisonne 1931-1974)v
Giuseppe Santomaso

1975”NAAlfieri Edizioni D'arte

10,000‰~

uƒXƒ^ƒ“ƒ‰ƒ““º”ʼnæÎ”ʼnæì•iW(L'oeuvre grave et lithographie de Steinlen)v
Ernest de Crauzat

1983”NAAlan Wofsy Fine Arts

5,000‰~

uƒJƒgƒ‰ƒ“ ƒŠƒgƒOƒ‰ƒt‚P(Cathelin Lithographe 1 1957-1982)iƒIƒŠƒWƒiƒ‹ƒŠƒgƒOƒ‰ƒt‚P“_“ü‚èjv
Roger Passeron

1990”NAAndre Sauret

ÝŒÉØ‚ê

uƒJƒVƒjƒ‡[ƒ‹”ʼnæì•iW(Jean-Pierre Cassigneul Oeuvre Grave 1965-1975)v
Jean Pierre Cassigneul

1975”NAA.C.Mazo

3,000‰~

uƒuƒ‰ƒWƒŠƒG ƒŠƒgƒOƒ‰ƒtƒJƒ^ƒƒOƒŒƒ]ƒl(Andre Brasilier Lithographe 1958-1981)v
Roland Doschka

1981”NAEditions Michele Trinckvel Paris et Typo Edution Reutlingen

3,000‰~

uƒuƒ‰ƒ€Eƒ”ƒ@ƒ“Eƒ”ƒFƒ‹ƒf ƒŠƒgƒOƒ‰ƒt ƒJƒ^ƒƒOƒŒƒ]ƒl‘æ2Šª/‘æ3Šª(Bram van Velde Les lithographies II 1974-1978/III 1979-1981)i2ûƒZƒbƒgjv

1979/1984”NAMaeght editeur/Daniel Lelong editeur

9,000‰~

uƒ^ƒCƒ‰[EƒOƒ‰ƒtƒBƒbƒNƒX ƒJƒ^ƒƒOEƒŒƒ]ƒl 1974]1985(Tyler Graphics Catalogue Raisonne 1974-1985)v
Kenneth E.Tyler

1987”NAAbbeville

5,000‰~

u’†ìˆê­–ûÊ‘Sì•iWv
’†ìˆê­

2007”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u“ŒŽRŠ@ˆÎ‘S”ʼnæW(The Complete Prints of Higashiyama Kaii : A Catalogue Raisonne)v
Higashiyama Kaii

2000”NARadio House Art Publishing

12,000‰~

u“ŒŽRŠ@ˆÎ‘S”ʼnæW(The Complete Prints of Higashiyama Kaii : A Catalogue Raisonne)v
Higashiyama Kaii

2000”NARadio House Art Publishing

9,000‰~

u“ŒŽRŠ@ˆÎ‘S”ʼnæW(The Complete Prints of Higashiyama Kaii : A Catalogue Raisonne)v
Higashiyama Kaii

2000”NARadio House Art Publishing

7,500‰~

urìCì”ʼnæì•iW Arakawa Print Works 1965-1983v

1984”NAƒMƒƒƒ‰ƒŠ[E‚½‚©‚¬

9,000‰~

u•Ÿ‘òˆê˜Y‘S”ʼnæWv
•Ÿ‘ò ˆê˜Y

2002”NA—æ•—‘–[

4,000‰~

u“ï”g“c—´‹N ‘S”ʼnæì•iW NAMBATA TATSUOKI PRINT WORKS 1952-1997v
“ï”g“c —´‹N

1998”NAˆ¢•”o”Å

5,500‰~

u‰Á”[Œõ‰— KANO mitsuo 1960-1992 paintings;printsiƒTƒCƒ““ü‚èj‘S3û‘µv
‰Á”[Œõ‰—

1992”NA¬‘ò‘“X

20,000‰~

uƒjƒLEƒhEƒTƒ“ƒtƒ@ƒ‹ ƒJƒ^ƒƒOƒŒƒ]ƒl{ì•iW(Niki de Saint Phalle: Catalogue Raisonne 1949-2000/Monographie Monograph)i2û‘gjv
Niki de Saint Phalle

2001”NAAcatos

17,000‰~

uƒ‹ƒlEƒ}ƒOƒŠƒbƒg”ʼnæƒJƒ^ƒƒOƒŒƒ]ƒl(The Graphic Work of Rene Magritte)v
Gilbert E.Kaplan/Timothy Baum

1982”NATwo Editions

14,000‰~

uƒ‹ƒCEƒCƒJ[ƒ‹ ƒGƒbƒ`ƒ“ƒOì•iW(Louis Icart The Complete Etchings Expanded 4th edition)v
William R. Holland/Clifford P. Catania/Nathan D. Isen

2002”NASchiffer

5,000‰~

uƒ{ƒi[ƒ‹ ƒŠƒgƒOƒ‰ƒtƒJƒ^ƒƒOƒŒƒ]ƒl(Bonnard lithographe)v
Claude Roger-Marx

1952”NAAndre Sauret

15,000‰~

uƒWƒ‡ƒ‹ƒWƒ…Eƒ‹ƒI[”ʼnæì•iWiGeorges Rouault, The Graphic Workjv
Alan Wofsy

1976”NASecker • Warburg

3,500‰~

uƒ”ƒ‰ƒ}ƒ“ƒN”ʼnæƒJƒ^ƒƒOƒŒƒ]ƒl(Maurice de Vlaminck catalogue raisonne de l'oeuvre grave)v
Katalin de Walterskirchen

1974”NAFlammarion

7,500‰~

uƒX[ƒ‰[ƒWƒ… ƒGƒbƒ`ƒ“ƒOEƒŠƒgƒOƒ‰ƒtì•iW(Soulages: Eaux-fortes Lithographies 1952-1973)v
Georges Duby

1974”NAYves Riviere

7,500‰~

uƒIƒfƒBƒƒ“Eƒ‹ƒhƒ“ ŠG‰æEƒfƒbƒTƒ“ ƒJƒ^ƒƒOƒŒƒ]ƒl‘æ1Šª Ñ‘œ‰æEl•¨‰æ(Odilon Redon Catalogue raisonne de l'oeuvre peint et dessine I)v
Alec Wildenstein

1992”NALa Bibliotheque des Arts

ÝŒÉØ‚ê

ƒy[ƒW‚̐擪‚Ö

 
ŸƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚ÌŠÖ˜A¤•iiŒÃ‘j

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒgEƒA[ƒgv
ƒTƒ‰[ƒkEƒAƒŒƒNƒTƒ“ƒhƒŠƒAƒ“

1989”NAThames • Hudson

500‰~

u–{‚ÌŽè’Ÿ 1968”N7ŒŽ No.75 “ÁWFƒVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€‚ÆŒ|pv

1968”NAºXŽÐ

800‰~

u“Œ‹žƒ‚ƒ“ƒpƒ‹ƒiƒX‚ƃVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€v

1985”NA”‹´‹æ—§”üpŠÙ

3,500‰~

u‚݂Âï 1975”N1ŒŽ No.838 “ÁWFƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚Ì50”Nv

1975”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

uƒtƒ@ƒbƒVƒ‡ƒ“‚ƃVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€(Fashion and Surrealism)v
Richard Martin

1990”NARizzoli

ÝŒÉØ‚ê

uƒtƒ@ƒbƒVƒ‡ƒ“‚ƃVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€(Fashion and Surrealism)v
Richard Martin

1988”NAThames • Hudson

ÝŒÉØ‚ê

uƒVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€‚̐¢ŠE“Wi1982”Njv

1982”NA–ˆ“úV•·ŽÐ

ÝŒÉØ‚ê

u¢ŠE‚Ì‹ ƒVƒŠ[ƒY•ÊŠª ƒVƒ…[ƒ‹ƒŒƒAƒŠƒYƒ€v
U.M.ƒVƒ…ƒj[ƒf

1980”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚ð‚ß‚®‚éì‰Æ‚½‚¿v

1997”NA•xŽRŒ§—§‹ß‘ã”üpŠÙ

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€EƒA[ƒg ƒNƒŠƒXƒeƒB[ƒYƒI[ƒNƒVƒ‡ƒ“ƒJƒ^ƒƒOi2001”Njv

2001”NAƒNƒŠƒXƒeƒB[ƒY

2,000‰~

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€EƒA[ƒg ƒNƒŠƒXƒeƒB[ƒYƒI[ƒNƒVƒ‡ƒ“ƒJƒ^ƒƒOi2002”Njv

2002”NAƒNƒŠƒXƒeƒB[ƒY

2,000‰~

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€EƒA[ƒg ƒNƒŠƒXƒeƒB[ƒYƒI[ƒNƒVƒ‡ƒ“ƒJƒ^ƒƒOi2004”Njv

2004”NAƒNƒŠƒXƒeƒB[ƒY

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€EƒA[ƒg ƒNƒŠƒXƒeƒB[ƒYƒI[ƒNƒVƒ‡ƒ“ƒJƒ^ƒƒOi2005”Njv

2005”NAƒNƒŠƒXƒeƒB[ƒY

2,000‰~

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€EƒA[ƒg ƒNƒŠƒXƒeƒB[ƒYƒI[ƒNƒVƒ‡ƒ“ƒJƒ^ƒƒOi2006”Njv

2006”NAƒNƒŠƒXƒeƒB[ƒY

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€EƒA[ƒg ƒNƒŠƒXƒeƒB[ƒYƒI[ƒNƒVƒ‡ƒ“ƒJƒ^ƒƒOi2010”Njv

2010”NAƒNƒŠƒXƒeƒB[ƒY

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒgEƒA[ƒg ƒTƒUƒr[ƒYƒI[ƒNƒVƒ‡ƒ“ƒJƒ^ƒƒOi2004”Njv

2004”NAƒTƒUƒr[ƒY

2,000‰~

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒgEƒA[ƒg ƒTƒUƒr[ƒYƒI[ƒNƒVƒ‡ƒ“ƒJƒ^ƒƒOi2008”Njv

2008”NAƒTƒUƒr[ƒY

ÝŒÉØ‚ê

uƒVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€”ʼnæ“Wv

1983”NAƒ_ƒbƒhƒA[ƒg

1,500‰~

uuƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚Æ”üp|ƒCƒ[ƒW‚ƃŠƒAƒŠƒeƒB‚ð‚ß‚®‚Á‚āv“Wv

2007”NAuƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚Æ”üp|ƒCƒ[ƒW‚ƃŠƒAƒŠƒeƒB‚ð‚ß‚®‚Á‚āv“WŽÀsˆÏˆõ‰ï

1,000‰~

u“ú–{‚̃Vƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€ 1925-1945v
–¼ŒÃ‰®Žs”üpŠÙi•ÒWj

1990”NA“ú–{‚̃Vƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€“WŽÀsˆÏˆõ‰ï

12,000‰~

uåKåN–‚pŠwà(•œ”Å) v

1977”NA¼àV‘“X

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒgEƒA[ƒg(Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago)v
D.Ades

1997”NAThames • Hudson

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€“W(la revolution surrealiste)v

2002”NACentre Pompidou

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€“W “ä‚ð‚ß‚®‚é•sŽv‹c‚È—·i“Á‘•”Łjv

2007”NA”üpŠÙ˜A—‹¦‹c‰ï

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€“W “ä‚ð‚ß‚®‚é•sŽv‹c‚È—·v

2007”NA”üpŠÙ˜A—‹¦‹c‰ï

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒgEƒvƒŠƒ“ƒc(Surrealist Prints)v
G.Kaplan

1997”NAAbrams

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚Ì‹ “Wv

1998”NAuƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚Ì‹ “WvƒJƒ^ƒƒOŽÀsˆÏˆõ‰ï

2,000‰~

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€“Wi1975”Njv

1975”NA“Œ‹ž‘—§‹ß‘ã”üpŠÙ

500‰~

uƒ†ƒŠƒCƒJ—ÕŽž‘Š§ ‘“ÁWFƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€v

1989”NAÂ“yŽÐ

1,000‰~

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€ ƒCƒ[ƒW‚̉üŠvŽÒ‚½‚¿v
R.ƒJ[ƒfƒBƒiƒ‹^R.S.ƒVƒ‡[ƒg(]Œ´‡ –ó)

1977”NAƒpƒ‹ƒRo”Å‹Ç

1,000‰~

uƒVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€i•¶ŒÉƒNƒZƒWƒ…345jv
ƒCƒuEƒfƒ…ƒvƒŒƒVƒX(ˆî“cŽO‹g –ó)

1979”NA”’…ŽÐ

500‰~

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€“W(Surrealismus 1919-1944 DaliAMax ErnstAMagritteAMiroAPicasso...)v

2002”NAKunstsammlung Nordrhein Westfalen

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1968”N1E2ŒŽ No.71 “ÁWFƒVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€Žlv

1968”NAºXŽÐ

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒg‚½‚¿ Šá‚Æ•s‰ÂŽv‹cv
ŠÞ’Jš Žm

1986”NAÂ“yŽÐ

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€“W ƒpƒŠAƒ|ƒ“ƒsƒhƒDƒZƒ“ƒ^[Š‘ ì•i‚É‚æ‚év

2011”NA“Ç”„V•·“Œ‹ž–{ŽÐ

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€“I—V‹Y 100‚Ì—D”ü‚ÈŽrŠ[(Juegos surrealistas 100 cadaveres exquisitos)v
Jean Jacques Lebel

1996”NAFundacion Coleccion Thyssen-Bornemisza

ÝŒÉØ‚ê

u–‚p“IŒ|pv
ƒAƒ“ƒhƒŒEƒuƒ‹ƒgƒ“(ŠÞ’Jš ŽmA‘¼ –ó)

1997”NA‰Ío‘–[VŽÐ

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€EƒGEƒ‰ƒ€[ƒ‹(Le surrealisme et l'amour)v

1997”NAGallimard/Electa

3,000‰~

uƒ_ƒ_‚ƃVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€iŠâ”g¢ŠE‚Ì”üpƒVƒŠ[ƒYjv
ƒ}ƒVƒ…[EƒQ[ƒ‹(ŠÞ’Jš ŽmA’ËŒ´Žj –ó)

2000”NAŠâ”g‘“X

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚ÌŽ ƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€“Ç–{1v

1981”NAŽv’ªŽÐ

ÝŒÉØ‚ê

uƒVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€‚Ì‘ÌŒ±v
ƒAƒ“ƒhƒŒEƒ}ƒbƒ\ƒ“(‘å’ΓS’j –ó)

1969”NAºXŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1980”N2ŒŽ No.899 “ÁWFƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚̐¸_v

1980”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u”š”­EŒÅ’è ŽÊ^‚ƃVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€(Explosante-fixe : photographie et surrealisme)v
Rosalind Krauss/Jane Livingston/Dawn Ades

2002”NAHazan

ÝŒÉØ‚ê

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€l–¼Ž–“T(Les grandes figures du surrealisme)v
Alain Virmaux/Odette Virmaux

1994”NABordas

ÝŒÉØ‚ê

u•Ÿ‘òˆê˜YŠG‰æŒ¤‹†Š“W i‚߁I“ú–{‚̃Vƒ…ƒ‹ƒŒƒAƒŠƒXƒ€v

2010”NA”‹´‹æ—§”üpŠÙ

3,000‰~

uƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‰^“®‚Ì—ðŽj(Histoire du mouvement surrealiste)v
Gerard Durozoi

2004”NAHazan

3,500‰~


ƒy[ƒW‚̐擪‚Ö

 
Ÿƒtƒ@ƒbƒVƒ‡ƒ“‚ÌŠÖ˜A¤•iiŒÃ‘j

uƒXƒLƒƒƒpƒŒƒbƒŠ@ƒpƒŠEƒ‚[ƒh‚̏—’év
ƒpƒ‹ƒ}[EƒzƒƒCƒgi‹v•Û–ؑוvAà_“c‚·‚ÝŽq –ój

1994”NAPARCOo”Å

12,000‰~

uƒ}ƒhƒŒ[ƒkEƒ”ƒBƒIƒlì•iW(Vionnet)v
Jacqueline Demornex

1990”NAEditions du Regard

ÝŒÉØ‚ê

uƒ”ƒBƒIƒli1991”Njv
ƒxƒeƒBEƒJ[ƒNi“ŒŠC°”ü •Ò)

1991”NA‹—´“°

ÝŒÉØ‚ê

uƒWƒ‡ƒ‹ƒWƒIEƒAƒ‹ƒ}[ƒj Designers history 10 years : 1985-1995 4 Giorgio Armaniv

1997”NAƒMƒƒƒbƒvEƒWƒƒƒpƒ“

18,000‰~

uƒNƒŠƒXƒ`ƒƒƒ“EƒfƒBƒI[ƒ‹ì•iW(Christian Dior)v
Francoise Giroud/Sacha Van Dorssen

1987”NARizzoli

ÝŒÉØ‚ê

uƒfƒBƒI[ƒ‹uLady Dior As Seen Byv“Wi2012”Njv

2012”NAChristian Dior

9,000‰~

uƒNƒŠƒXƒ`ƒƒƒ“EƒfƒBƒI[ƒ‹ Designers history 10 years : 1985-1995 3 Christian Diorv

1996”NAƒMƒƒƒbƒvEƒWƒƒƒpƒ“

ÝŒÉØ‚ê

uƒfƒBƒI[ƒ‹ ƒjƒ…[ƒNƒ`ƒ…[ƒ‹(Dior New Couture)v
Patrick Demarchelier (Photographs)/Cathy Horyn(Text)

2014”NARizzoli

ÝŒÉØ‚ê

uƒfƒBƒI[ƒ‹EƒZƒbƒVƒ‡ƒ“ƒY(The Dior Sessions: Portraits by Nikolai von Bismarck Tailored by Kim Jones)v
Alexander FuryiƒeƒLƒXƒgj/Nikolai von BismarckiŽÊ^j

2019”NARizzoli

3,500‰~

uƒCƒ“ƒXƒsƒŒ[ƒVƒ‡ƒ“EƒfƒBƒI[ƒ‹(Inspiration Dior)v
Florence Muller

2011”NAHarry N. Abrams

ÝŒÉØ‚ê

uƒfƒBƒI[ƒ‹EƒCƒ“ƒvƒŒƒbƒVƒ‡ƒ“(Dior Impressions: The Inspiration and Influence of Impressionism at the House of Dior)v
Florence Mueller

2013”NARizzoli

8,000‰~

uƒCƒ“ƒvƒŒƒbƒVƒ‡ƒ“EƒfƒBƒI[ƒ‹(Impressions Dior: Dior et l'impressionnisme)v
Florence Mueller

2013”NARizzoli

8,000‰~

uƒWƒoƒ“ƒVƒBˆßÖ•¶‰»“W (Givenchy 40 years of creation)v

1993”NA_ŒËƒtƒ@ƒbƒVƒ‡ƒ“‹¦‰ïA‘¼

ÝŒÉØ‚ê

uƒWƒoƒ“ƒVƒBEƒtƒ@ƒCƒ‹ M/M (Paris) Presents: The Givenchy Filesv

2012”NAM/M (Paris)

6,500‰~

uƒ†ƒx[ƒ‹EƒhEƒWƒoƒ“ƒVƒB“W(Hubert de Givenchy)v
Hubert de Givenchy/Eloy Martinez de la Pera/Lourdes Fernandez/Igor Uria Zubizarreta

2014”NAMuseo Thyssen-Bornemisza

9,000‰~

uƒ†ƒx[ƒ‹EƒhEƒWƒoƒ“ƒVƒB“W(Hubert de Givenchy)v
Hubert de Givenchy/Eloy Martinez de la Pera/Lourdes Fernandez/Igor Uria Zubizarreta

2014”NAMuseo Thyssen-Bornemisza

ÝŒÉØ‚ê

uƒoƒŒƒ“ƒVƒAƒK‚Æ‚»‚̈â‹Æ(Balenciaga and His Legacy)v
Myra Walker

2007”NAYale University Press

ÝŒÉØ‚ê

uƒNƒŠƒXƒgƒoƒ‹EƒoƒŒƒ“ƒVƒAƒKì•iW(Balenciaga)v
Marie-Anderee Jouve

1988”NAEditions du Regard

ÝŒÉØ‚ê

uƒNƒŠƒXƒgƒoƒ‹EƒoƒŒƒ“ƒVƒAƒKì•iWi“ú–{Œê”Łjv
ƒ}ƒŠEƒAƒ“ƒhƒŒEƒWƒ…[ƒ”/ƒWƒƒƒNƒŠ[ƒkEƒhƒ‚ƒ‹ƒlƒbƒNƒXiEtsuko Yamaguchi –ó)

1990”NAã“cŠw‰€

5,000‰~

u”ü‚ÌŒn•ˆ ƒ~ƒ‰EƒVƒ‡[ƒ“ì•iWv

1993”NAƒ~ƒ‰EƒVƒ‡[ƒ“ƒWƒƒƒpƒ“

2,000‰~

uƒJƒ‹ƒ`ƒƒ[ƒVƒƒƒlƒ‹“W(Culture Chanel)v
Jean-Louis Froment

2012”NACITIC

9,000‰~

uƒVƒƒƒlƒ‹ ƒtƒ@ƒCƒ“ƒWƒ…ƒGƒŠ[FƒX[Eƒ‹EƒV[ƒjƒ…Eƒfƒ…EƒŠƒIƒ“(Chanel Fine Jewelry: Sous le Signe du Lion)i“ú–{Œê”Łjv

2013”NAChanel

7,000‰~

uƒ}ƒŠƒAƒmEƒtƒHƒ‹ƒ`ƒ…ƒjƒBì•iW(Mariano Fortuny Un Magicien de Venise)v
Anne-Marie Deschodt

1979”NAEditions du Regard

ÝŒÉØ‚ê

uƒ}ƒŠƒAƒmEƒtƒHƒ‹ƒ`ƒ…ƒjƒBì•iW(Mariano Fortuny Un Magicien de Venise)v
Anne-Marie Deschodt

2000”NAEditions du Regard

ÝŒÉØ‚ê

uƒ\ƒjƒAEƒŠƒLƒGƒ‹ì•iW(Rykiel)v
Madeleine Chapsal/Helene Cixous/Sonia Rykiel

1985”NAHerscher

3,500‰~

uƒjƒiEƒŠƒbƒ`ì•iW(Nina Ricci)v
Marie-France Pochna

1992”NAEditions du Regard

4,000‰~

uƒsƒG[ƒ‹Eƒoƒ‹ƒ}ƒ“ì•iW(Pierre Balmain)v
Gerard-Julien Salvy

1996”NAEditions du Regard

ÝŒÉØ‚ê

uƒƒ_ƒ‹ƒe ƒLƒƒƒTƒŠƒ“EƒIƒs[ ƒAƒŒƒbƒNEƒ\ƒX(Rodarte Catherine Opie Alec Soth)v
John Kelsey

2011”NAJrp Ringier

ÝŒÉØ‚ê

uƒ|[ƒ‹Eƒ|ƒAƒŒì•iW(Poiret)v
Yvonne Deslandres

1987”NAThames and Hudson

ÝŒÉØ‚ê

uƒ|[ƒ‹Eƒ|ƒƒŒˆßÖ“W ƒ‚ƒ_ƒ“‚ÌŒ´“_ ƒA[ƒ‹EƒfƒRv

1985”NAƒtƒ@ƒbƒVƒ‡ƒ“U‹»à’c

ÝŒÉØ‚ê

uƒ|[ƒ‹Eƒ|ƒƒŒì•iW(Poiret)v
Palmer White

1973”NAStudio Vista

ÝŒÉØ‚ê

uƒ_ƒiEƒLƒƒƒ‰ƒ“ŽÊ^W(The Journey of a woman: 20 years of Donna Karan)iƒTƒCƒ““ü‚èjv
Ingrid Sischy

2004”NAAssouline

2,000‰~

uƒhƒ‹ƒ`ƒF•ƒKƒbƒo[ƒi Dolce•Gabbana Icons 1990-2010v
Peter Howarth

2011”NAMondadori Electa

ÝŒÉØ‚ê

uƒhƒ‹ƒ`ƒF•ƒKƒbƒo[ƒi‚Ì20”N(20 Years Dolce•Gabbana)v
Sarah Mower

2005”NA5 Continents

7,000‰~

uƒhƒ‹ƒ`ƒF•ƒKƒbƒo[ƒi ƒtƒ@ƒbƒVƒ‡ƒ“EƒAƒ‹ƒoƒ€(Dolce•Gabbana Fashion Album)v
Mariuccia Casadio

2006”NASkira

12,000‰~

uƒƒxƒ‹ƒgEƒJƒvƒbƒ`ì•iW(Roberto Capucci)v
Patrick Mauries

1993”NAFranco Maria Ricci

6,500‰~

uƒCƒ”EƒTƒ“ƒ[ƒ‰ƒ“‚Ì•‘‘äˆß‘•“W(Yves Saint Laurent et le theatre)v
Yves Saint Laurent

1986”NAHerscher

ÝŒÉØ‚ê

uƒCƒ”EƒTƒ“ƒ[ƒ‰ƒ“ Designers history 10 years : 1985-1995 2 Yves Saint Laurentv

1996”NAƒMƒƒƒbƒvEƒWƒƒƒpƒ“

ÝŒÉØ‚ê

uƒ_ƒCƒAƒiEƒ”ƒŠ[ƒ‰ƒ“ƒh“W(Diana Vreeland: Immoderate Style)v
Richard Martin/Harold Koda

1993”NAMetropolitan Museum of Art

15,000‰~

uƒWƒƒƒ“ƒjEƒ”ƒFƒ‹ƒT[ƒ`ˆßÖ•¶‰»“Wv

1991”NA_ŒËŽs—§”Ž•¨ŠÙ

2,000‰~

uƒ”ƒH[ƒO ƒtƒ@ƒbƒVƒ‡ƒ“ŽÊ^W 1964 1994 Vogue(30 anni di Vogue 1964-1994)v
Franca Sozzani

1995”NAEdizioni Conde Nast

ÝŒÉØ‚ê

uˆºà£‚½‚鎞‘ã ƒEƒHƒ‹ƒgAƒhƒD[ƒZAƒpƒ“ƒK‚̃tƒ@ƒbƒVƒ‡ƒ“(The Opulent Era Fashions of Worth Doucet and Pingat)v
Elizabeth Ann Coleman

1990”NAThames • Hudson

ÝŒÉØ‚ê

uƒvƒ‰ƒ_(Prada)“ú–{Œê”Łv
Miuccia Prada/Patrizio Bertelli

2010”NAFondazione Prada

8,000‰~

uƒvƒ‰ƒ_ƒXƒtƒBƒA“W(Pradasphere)v
Michael Rock

2014”NAProgetto Prada Arte

8,000‰~

uƒvƒ‰ƒ_ ƒLƒƒƒbƒgƒEƒH[ƒN(Prada Catwalk: The Complete Collections)v
Susannah Frankel

2019”NAThames • Hudson

ÝŒÉØ‚ê

uƒEƒFƒCƒXƒgEƒ_ƒEƒ“(Waist Down: Skirts by Miuccia Prada)v
Kayoko Ota

2004”NAProgetto Prada Arte Srl

5,000‰~

uƒvƒ‰ƒ_ ‘I‚΂ê‚闝—Rv
ƒWƒƒƒ“Eƒ‹ƒC[ƒWEƒpƒ‰ƒbƒL[ƒj(‹v•ÛkŽi –ó)

2015”NAŽÀ‹Æ”V“ú–{ŽÐ

500‰~

uƒvƒ‰ƒ_ 2020 ƒJƒ^ƒƒO(Prada Gifts 2020)v

2020”NAPrada

300‰~

u—¬s’ʐM Ryuko Tsushin 2003”N8ŒŽ† vol.482 ƒvƒ‰ƒ_ A to Zv

2003”NAƒCƒ“ƒtƒ@ƒX

1,500‰~

uTOKYO SUPER BRAND 1997”N7ŒŽ†‘Š§ PRADAv

1997”NAƒƒjƒ}ƒKƒWƒ“ŽÐ

1,500‰~

u‰Ø—í‚È‚éƒI[ƒgƒNƒ`ƒ…[ƒ‹“W French Haute Couture 1947-1987v

1991”NA’©“úV•·ŽÐ

ÝŒÉØ‚ê

uƒI[ƒgƒNƒ`ƒ…[ƒ‹100”N“W 1870-1970v

1993”NA’©“úV•·ŽÐ

ÝŒÉØ‚ê

uˆºà£‚½‚é–é‰ï•ž‚̐¢ŠE@ƒpƒŠEƒI[ƒgƒNƒ`ƒ…[ƒ‹‚Ì150”Nv

1994”NA‹ž“sŽs”üpŠÙ

1,500‰~

uuƒpƒŠEƒ‚[ƒh 1870-1960 ‰Ø—í‚È‚é–é‰ï‚ÌŽž‘ãv“Wv
“Œ‹ž“s’뉀”üpŠÙi•ÒWj

1999”NAƒeƒŒƒr’©“ú

ÝŒÉØ‚ê

uPARIS ƒI[ƒgƒNƒ`ƒ…[ƒ‹ ¢ŠE‚Ɉê‚‚¾‚¯‚Ì•žv

2016”NAŽO•Hˆê†ŠÙ”üpŠÙ

2,000‰~

uƒCƒ^ƒŠƒAƒ“Eƒ|[ƒgƒŒ[ƒg(Italian Portraits)v
Donatella Sartorio

2012”NASkira

ÝŒÉØ‚ê

uƒCƒ^ƒŠƒAƒ“Eƒtƒ@ƒbƒVƒ‡ƒ“‚Ì‘n‘¢«‚Æ‹Zp1951-1983(Il genio antipatico - Creativita e tecnologia della moda italiana 1951-1983)v
Pia Soli

1984”NAArnoldo Mondadori

3,500‰~

uƒWƒ‡ƒ“EƒtƒŒƒ“ƒ` ƒtƒ@ƒbƒVƒ‡ƒ“ŽÊ^W (John French: Fashion Photographer)v
Valerie Mendes

1984”NAVictoria and Albert Museum

ÝŒÉØ‚ê

uFashion: Photography of the Ninetiesv
Camilla Nickerson (•ÒW)/Neville Wakefield (•ÒW)

1996”NASCALO

ÝŒÉØ‚ê

uƒpƒŠEƒ‚[ƒh‚Ì•‘‘ä— v

1999”NA“ú–{‚É‚¨‚¯‚éƒtƒ‰ƒ“ƒX”NŽÀsˆÏˆõ‰ï

8,000‰~

uƒ”ƒ@ƒŒƒ“ƒeƒBƒmEƒAƒgƒŠƒG 2001”N t‰ÄƒRƒŒƒNƒVƒ‡ƒ“ ¶’nŒ©–{•t(Valentino atelier Collezione Primavera-Estate 2001)v

2001”NAValentino

8,000‰~

uƒ”ƒ@ƒŒƒ“ƒeƒBƒmEƒAƒgƒŠƒG 2003-2004”N H“~ƒRƒŒƒNƒVƒ‡ƒ“ ¶’nŒ©–{•t(Valentino atelier Collezione Autunno-Inverno 2003/2004)v

2003”NAValentino

5,000‰~

uƒ”ƒ@ƒŒƒ“ƒeƒBƒmEƒAƒgƒŠƒG 2004”N t‰ÄƒRƒŒƒNƒVƒ‡ƒ“ ¶’nŒ©–{•t(Valentino atelier Collezione Primavera-Estate 2004)v

2004”NAValentino

5,000‰~

uƒ”ƒ@ƒŒƒ“ƒeƒBƒmEƒAƒgƒŠƒG 2005”N t‰ÄƒRƒŒƒNƒVƒ‡ƒ“ ¶’nŒ©–{•t(Valentino atelier Collezione Primavera-Estate 2005)v

2005”NAValentino

5,000‰~

uƒ‚[ƒh‚̃Wƒƒƒ|ƒjƒXƒ€i1996”Njv

1996”NA“Œ‹žƒNƒŠƒGƒCƒVƒ‡ƒ“ƒtƒFƒXƒeƒBƒoƒ‹ŽÀsˆÏˆõ‰ï

ÝŒÉØ‚ê

u‘吳‚Ì‹P‚« ƒ‚ƒKŽž‘ã‚Ì‘•‚¢ ƒI[ƒgƒ`ƒ…[ƒ‹•‚«‚à‚́v

2004”NAŒSŽRŽs—§”üpŠÙ

2,000‰~

u‰Ô—Œ‚̃‚[ƒh ‚«‚à‚Ì‚ÌŽž‘ãv

1999”NA‹ž“s‘—§”Ž•¨ŠÙ

2,000‰~

u¬‘³ ]ŒË‚̃I[ƒgƒNƒ`ƒ…[ƒ‹ ¼â‰®‹ž“sõDŽQlŠÙ‚Ì–¼•iv

2008”NA“ú–{ŒoÏV•·ŽÐ

2,000‰~

uŽOˆä‰Æ“`—ˆ ¬‘³“Wv

1990”NA•¶‰»Šw‰€•žü”Ž•¨ŠÙ

500‰~

u‰H“c‰Æ‚̃Lƒ‚ƒm“W(Kimonos de la famille HATA)v

1996”NAMusee des Tissus et des Arts decoratifs de LYON

2,000‰~

u‰Ì•‘ŠêˆßÖ“Wi1998”Njv

1998”NA¼’|Š”Ž®‰ïŽÐŽ–‹Æ•”

ÝŒÉØ‚ê

u‘Š‰žŽ›› •— ]ŒË‚̉ƒ u]ŒË‰Šú‚̈ߏ֖͗lvu‘nì‚«‚à‚̐}˜^v2û‘gv
‹´–{ŸŽq(’˜)/Ÿ“cà†i“WŠJ}ì‰æj

1989”NAŒ|䇓°

ÝŒÉØ‚ê

u‘¾—z‚ɐõ‚Ü‚é–ä—l ƒpƒŒƒXƒ`ƒi‚Ì–¯‘°ˆß‘•v
•À‰Íäݗ¢

1982”NA•¶‰»o”Å‹Ç

ÝŒÉØ‚ê

uƒJƒVƒ~ƒAEƒVƒ‡[ƒ‹(The Romance of the Cashmere Shawl)v
Monique Levi- Strauss

1987”NAMapin

2,500‰~

u20¢‹I‚̃RƒXƒ`ƒ…[ƒ€ƒWƒ…ƒGƒŠ[(Jewels of Fantasy: Costume Jewelry of the 20th Century)v
Deanna Farneti Cera

1992”NAHarry N Abrams

ÝŒÉØ‚ê

uƒRƒXƒ`ƒ…[ƒ€ƒWƒ…ƒGƒŠ[EƒtƒH[EƒI[ƒgƒNƒ`ƒ…[ƒ‹(Costume Jewelry for Haute Couture)v
Florence Muller

2007”NAVendome Press

ÝŒÉØ‚ê

uƒlƒbƒNƒŒƒX ŒÃ‘ã‚©‚猻Ý‚Ü‚Å(The Necklace: From Antiquity to the Present)v
Amanda Triossi/Daniela Mascetti

1997”NAThames • Hudson

ÝŒÉØ‚ê

uƒ”ƒ@ƒ“EƒNƒŠ[ƒt•ƒA[ƒyƒ‹ ƒUEƒXƒsƒŠƒbƒgEƒIƒuEƒrƒ…[ƒeƒB[“W Žž‹ó‚ð’´‚¦‚é”ü‚̐^‘v
Van Cleef • Arpels

2009”NAEditions Xavier Barral

ÝŒÉØ‚ê

uƒ”ƒ@ƒ“ ƒNƒŠ[ƒt•ƒA[ƒyƒ‹(Van Cleef•Arpels)v
Sylvie Raulet

1986”NAEditions du Regard

4,500‰~

u‹Z‚ð‹É‚ß‚é ƒ”ƒ@ƒ“ƒNƒŠ[ƒt•ƒA[ƒyƒ‹ ƒnƒCƒWƒ…ƒGƒŠ[‚Æ“ú–{‚̍HŒ|v

2017”NA“ú–{ŒoÏV•·ŽÐ

4,500‰~

uƒ”ƒ@ƒ“ƒNƒŠ[ƒt•ƒA[ƒyƒ‹ ƒXƒ^ƒCƒ‹‚ɂ‚¢‚Ä‚Ì’fÍ(Van Cleef•Arpels: Un exercice de style)i“ú–{Œê”Łjv
Van Cleef•Arpels

2015”NAEditions Gallimard

4,000‰~

uƒ”ƒ@ƒ“ ƒNƒŠ[ƒt•ƒA[ƒyƒ‹(Van Cleef•Arpels)v
Sylvie Raulet

1997”NAAssouline

1,000‰~

uƒ”ƒ@ƒ“ƒNƒŠ[ƒt•ƒA[ƒyƒ‹ ƒAƒ‹ƒnƒ“ƒuƒ‰ ƒWƒ…ƒGƒŠ[ƒJƒ^ƒƒO(Van Cleef•Arpels: Alhambra)v

2013”NAVan Cleef•Arpels

500‰~

uƒ”ƒ@ƒ“ ƒNƒŠ[ƒt•ƒA[ƒyƒ‹ uŽèv‚Ö‚ÌŽ]Ž«i“ú–{Œê”Łjv
ƒtƒ‰ƒ“ƒREƒRƒ[ƒj

2012”NAMarsilio

5,000‰~

uƒXƒJƒ”ƒBƒA ƒWƒ…ƒGƒŠ[ƒJƒ^ƒƒO(Scavia 100 anni)v

2011”NAScavia

ÝŒÉØ‚ê

uƒJƒ‹ƒeƒBƒG ƒ}ƒWƒVƒƒƒ“(Cartier Magician)i“ú–{Œê”Łjv
ƒtƒ‰ƒ“ƒ\ƒEƒVƒƒƒCƒ†

2016”NAFlammarion

9,000‰~

uƒJƒ‹ƒeƒBƒG ƒ}ƒWƒVƒƒƒ“(Cartier Magician)i“ú–{Œê”Łjv
ƒtƒ‰ƒ“ƒ\ƒEƒVƒƒƒCƒ†

2016”NAFlammarion

9,000‰~

uƒJƒ‹ƒeƒBƒGAŽž‚ÌŒ‹»v
•ÒWF‘—§V”üpŠÙ/“ú–{ŒoÏV•·ŽÐ

2019”NA“ú–{ŒoÏV•·ŽÐ

ÝŒÉØ‚ê

uƒJƒ‹ƒeƒBƒG ƒ‰ƒh[ƒjƒƒ‘å”»ƒJƒ^ƒƒOiLa Dona de Cartierjv

2006”NACartier

ÝŒÉØ‚ê

uƒJƒ‹ƒeƒBƒG ƒoƒbƒO‘å”»ƒJƒ^ƒƒOiCartier Haute Maroquineriejv

2014”NACartier

ÝŒÉØ‚ê

uGucci by Gucci : 85 Years of Guccii“Á‘•”Łjv
Sarah Mower

2006”NAMondadori Electa

24,000‰~

uGucci by Gucci : 85 Years of Gucciv
Sarah Mower

2006”NAThames • Hudson

11,000‰~

uì‹v•Û—æ ƒRƒ€EƒfEƒMƒƒƒ‹ƒ\ƒ““W(Rei Kawakubo/Comme des Garcons: Art of the In-Between)¬ûŽqi}˜^•“WŽ¦ƒKƒCƒhjv

2017”NAThe Metropolitan Museum of Art

2,500‰~

uƒuƒ‹ƒKƒŠEƒuƒ‹ƒKƒŠƒRƒŒƒNƒVƒ‡ƒ“i“ú–{Œê”Łjv
ƒ}ƒŠƒIƒ“Eƒtƒ@ƒ[ƒ‹(Marion Fasel)

2013”NAAssouline

4,000‰~

uƒuƒ‹ƒKƒŠ ƒZƒ‹ƒyƒ“ƒeƒBƒtƒH[ƒ€ ƒA[ƒg ƒWƒ…ƒGƒŠ[ ƒfƒUƒCƒ“(Bulgari Serpentiform Art Jewelry Design)v
ƒ‹ƒ`ƒAEƒ{ƒXƒJƒCƒj(Lucia Boscaini)

2017”NABulgari

6,500‰~

uƒuƒ‹ƒKƒŠ ƒUEƒOƒ‰ƒ€EƒJƒ‹ƒ`ƒƒ[(The glam culture)v
Carlo Mazzoni

2013”NAElecta

2,500‰~

uuGenio y Figura ƒtƒ@ƒbƒVƒ‡ƒ“‚ƃXƒyƒCƒ“‚Ì•¶‰»v“Wv

2005”NAé‹ÊŒ§—§‹ß‘ã”üpŠÙ

ÝŒÉØ‚ê

uƒtƒ@ƒbƒVƒ‡ƒ“‚ƃVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€(Fashion and Surrealism)v
Richard Martin

1990”NARizzoli

ÝŒÉØ‚ê

uƒtƒ@ƒbƒVƒ‡ƒ“‚ƃVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€(Fashion and Surrealism)v
Richard Martin

1988”NAThames • Hudson

ÝŒÉØ‚ê

uƒtƒ@ƒbƒVƒ‡ƒ“‚ƃVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€(Fashion • Surrealism)v
Francois Baudot

2002”NAAssouline

ÝŒÉØ‚ê

uƒLƒ…ƒrƒXƒ€‚ƃtƒ@ƒbƒVƒ‡ƒ“(Cubism and Fashion)v
Richard Martin

1999”NAThe Metropolitan Museum of Art

ÝŒÉØ‚ê

uƒNƒŠƒ€ƒg‚ƃtƒ@ƒbƒVƒ‡ƒ“(Klimt • Fashion)v
Christian Brandstatter

2003”NAAssouline

ÝŒÉØ‚ê

uExcess: Fashion and the underground in the 80sv
Maria Luisa Frisai•ÒWj/Stefano Tonchii•ÒWj

2004”NACharta

ÝŒÉØ‚ê

uƒXƒLƒ“+ƒ{[ƒ“ƒY 1980”N‘ãˆÈ~‚ÌŒš’z‚ƃtƒ@ƒbƒVƒ‡ƒ“v

2007”NA‘—§V”üpŠÙ

ÝŒÉØ‚ê

uTake Ivyi•œ”Łji‰pŒê”Łjv
Photographs: Teruyoshi Hayashida/Text: Shosuke IshizuAToshiyuki KurosuAHajime(Paul)Hasegawa

2010”NApowerHouse Books

ÝŒÉØ‚ê

uƒAƒXƒgƒ‰ƒbƒg ’ŠÛƒvƒŠƒ“ƒgƒRƒŒƒNƒVƒ‡ƒ“(Astratto Abstract print collection)v
•x“c”ŽŽii•ÒWj

1994”NAŠ”Ž®‰ïŽÐƒZƒfƒBƒA

3,000‰~

uƒAƒtƒŠƒJƒ“ƒvƒŠƒ“ƒgƒfƒUƒCƒ“ ƒoƒIƒoƒu(African print design BAOBAB)v
•x“c”ŽŽii•ÒWj

1989”NAŠ”Ž®‰ïŽÐƒZƒfƒBƒA

3,000‰~

uƒmƒoƒN ƒUEƒOƒŒƒCƒgƒRƒŒƒNƒVƒ‡ƒ“EƒIƒuEƒvƒŠƒ“ƒeƒbƒhƒfƒUƒCƒ“(Novak The Great Collection of printed designs)v

•s–¾ANovak Fashion

6,000‰~

uõŽï PART II Japanese dyeing patternsv
ŽR‰ªŒÃ“si˜•¶j

1988”NA‹ž“s‘‰@

5,000‰~

u•œ”Å ’N‚ª‘³•SŽíi‘S2ûjv
–쑺³ŽŸ˜Y

1979”NAŒ|䇓°

9,000‰~

u•œ”Å ‘±’N‚ª‘³•SŽíi‘S2ûjv
–쑺³ŽŸ˜Y

1980”NAŒ|䇓°

9,000‰~

uA Magazine #8: Riccardo TisciiƒŠƒJƒ‹ƒhEƒeƒBƒbƒVjv
Ricardo Tiscii•ÒWj

2008”NAA Publisher for Flanders Fashion Institute

9,500‰~

uA Magazine #9: Proenza SchouleriƒvƒƒGƒ“ƒUEƒXƒN[ƒ‰[jv
Proenza Schouleri•ÒWj

2009”NAA Publisher for Flanders Fashion Institute

5,000‰~

uƒ|ƒƒŒ‚ƃtƒHƒ‹ƒ`ƒ…ƒjƒB 20¢‹Iƒ‚[ƒh‚ð•Ï‚¦‚½’j‚½‚¿v

2009”NA“Œ‹ž“s’뉀”üpŠÙ

3,000‰~


ƒy[ƒW‚̐擪‚Ö

 
Ÿ•sŽv‹c‚̍‘‚̃AƒŠƒX‚ÌŠÖ˜A¤•iiŒÃ‘j

uu•sŽv‹c‚̍‘‚̃AƒŠƒXv“Wi1993”Njv

1993”NAƒAƒvƒgƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹

3,500‰~

uƒ‹ƒCƒXEƒLƒƒƒƒ‹–vŒã100”N‹L”O u•sŽv‹c‚̍‘‚̃AƒŠƒXv’a¶‚Ì“ä“Wi1997”Njv

1997”NAƒAƒvƒgƒCƒ“ƒ^[ƒiƒVƒ‡ƒiƒ‹

ÝŒÉØ‚ê

uƒAƒŠƒX‚ÌŠG–{ ƒAƒŠƒX‚Ì•sŽv‹c‚Ȑ¢ŠEv
‚‹´N–çi•ÒWj/Ží‘º‹GOi}”ŊďCj

1978”NA–q_ŽÐ

1,000‰~

ƒy[ƒW‚̐擪‚Ö

 
ŸŽGŽ ‚݂Âï‚ÌŠÖ˜A¤•iiŒÃ‘j

u‚݂Âï 1970”N1ŒŽ No.780 “ÁW:ƒ}ƒ`ƒX‚Ì‚È‚©‚ÌŒ»‘ãv

1970”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1970”N2ŒŽ No.781 “ÁW:‰¼–Ê‚Ì慎hŒ€ ƒAƒ“ƒ\[ƒ‹v

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1970”N3ŒŽ No.782 “ÁW:ƒSƒ„•‚¢íœÉ‚̍”­v

1970”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1970”N4ŒŽ No.783 “ÁW:ƒxƒ“EƒVƒƒ[ƒ“‹õˆÓ‚Əے¥‚ÌŠøŽèv

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1970”N5ŒŽ No.784 “ÁW:ƒCƒ“ƒhƒoƒƒbƒN‹óŠÔv

1970”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1970”N6ŒŽ No.785 “ÁW:ƒGƒ‹EƒOƒŒƒR•sˆÀ‚Æœ’›‚̏¸‰Øv

1970”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1970”N7ŒŽ No.786 “ÁW:–²–‚‚̉؉‘ƒIƒfƒBƒƒ“Eƒ‹ƒhƒ“v

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1970”N8ŒŽ No.787 “ÁW:Œ»‘ã‚̃OƒƒeƒXƒNv

1970”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1970”N9ŒŽ No.788 “ÁW:ƒ€ƒ“ƒNŒÇ“Æ‚ÌãȂ̏­v

1970”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1970”N10ŒŽ No.789 “ÁW:ŠG‹à–‹––“y²’n‹¶Œ¾‰…”O}•ˆv

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1970”N11ŒŽ No.790 “ÁW:ƒAƒƒŠƒJƒ“EƒiƒC[ƒ”v

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1970”N12ŒŽ No.791 “ÁW:ƒCƒ”Eƒ^ƒ“ƒM[’¾–Ù‚ÌŒ´ŒõŒiv

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1975”N1ŒŽ No.838 “ÁWFƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚Ì50”Nv

1975”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1975”N2ŒŽ No.839 “ÁWFƒAƒƒŠƒJƒ“Eƒ|ƒbƒvEƒA[ƒg‚Ì•Ï–ev

1975”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1975”N3ŒŽ No.840 “ÁWFƒ|[ƒ‹Eƒfƒ‹ƒ”ƒH[v

1975”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1975”N7ŒŽ No.844 “ÁWFƒ€[ƒA‚ƃAƒ‹ƒvv

1975”NA”üpo”ÅŽÐ

500‰~

u‚݂Âï 1975”N10ŒŽ No.847 “ÁWF‘‹gN—Y/ƒ”ƒ“ƒ_[ƒŠƒbƒq/ƒfEƒN[ƒjƒ“ƒOv

1975”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1976”N1ŒŽ No.850 “ÁWFƒAƒƒŠƒJ‚ÌŒ»‘ã”üpv

1976”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1976”N2ŒŽ No.851 “ÁWFŒÃ‰êt]v

1976”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1976”N3ŒŽ No.852 “ÁWFƒhƒCƒcE ƒŠƒAƒŠƒYƒ€ 1919-1933v

1976”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1976”N4ŒŽ No.853 “ÁWFƒGƒbƒVƒƒ[‚Ì•sŽv‹c‚Ȑ¢ŠEv

1976”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1976”N5ŒŽ No.854 “ÁWF–ƒ¶ŽO˜Yv

1976”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1976”N6ŒŽ No.855 “ÁWF–ìb”hFƒ}ƒeƒBƒX‚Æ‚»‚ÌŽü•Óv

1976”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1976”N7ŒŽ No.856 “ÁWF‚‘ºŒõ‘¾˜YE’qŒbŽqv

1976”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1976”N8ŒŽ No.857 “ÁWF“ú–{‚Ì‘O‰qv

1976”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1976”N9ŒŽ No.858 “ÁWFŒ»‘ã”üp‚Ì‹ -2v

1976”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1976”N10ŒŽ No.859 “ÁWFƒƒ_ƒ“v

1976”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1976”N11ŒŽ No.860 “ÁWFƒSƒbƒzv

1976”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1976”N12ŒŽ No.861 “ÁWFƒ{ƒbƒXv

1976”NA”üpo”ÅŽÐ

600‰~

u‚݂Âï 1977”N1ŒŽ No.862 “ÁWF•lŒû—zŽOv

1977”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1977”N2ŒŽ No.863 “ÁWF‰ªŽ­”V•v

1977”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1977”N3ŒŽ No.864 “ÁWF‹îˆä“N˜Yv

1977”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1977”N4ŒŽ No.865 “ÁWF’r“c–žŽõ•vv

1977”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1977”N5ŒŽ No.866 “ÁWFƒGƒ‹ƒ“ƒXƒgv

1977”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1977”N6ŒŽ No.867 “ÁWFƒ}ƒ‹ƒZƒ‹Eƒfƒ…ƒVƒƒƒ“v

1977”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1977”N7ŒŽ No.868 “ÁWFŽOŠÝD‘¾˜Yv

1977”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1977”N8ŒŽ No.869 “ÁWF–F”Nv

1977”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1977”N9ŒŽ No.870 “ÁWFƒGƒSƒ“EƒV[ƒŒv

1977”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1977”N10ŒŽ No.871 “ÁWF•½ŽRˆè•vv

1977”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1977”N11ŒŽ No.872 “ÁWFƒsƒJƒ\v

1977”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1977”N12ŒŽ No.873 “ÁWFƒuƒŠƒ…[ƒQƒ‹v

1977”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1978”N1ŒŽ No.874 “ÁWF¼–{v‰î/ƒUƒEƒŠ/‘ºã‘P’j/Vé·F/ƒ{ƒbƒXv

1978”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1978”N2ŒŽ No.875 “ÁWFƒ_ƒŠ/ƒƒbƒvƒX/ƒAƒ‹ƒgƒDƒ“ƒN/—›âZà…v

1978”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1978”N3ŒŽ No.876 “ÁWF‰Á”[Œõ‰—/“c•£ˆÀˆê/ˆö“¡šæ/XŒûGˆê/‹v—¢—m“ñv

1978”NA”üpo”ÅŽÐ

600‰~

u‚݂Âï 1978”N4ŒŽ No.877 “ÁWFè͌õ/ƒR[ƒlƒ‹/”Ñ“c‘Pš /“¡–q‹`•v/ìŒû‹N”ü—Yv

1978”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1978”N5ŒŽ No.878 “ÁWFƒRƒRƒVƒ…ƒJ/ƒpƒŠEƒrƒGƒ“ƒi[ƒŒ/ŒKŽR’‰–¾/¬´…‘Qv

1978”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1978”N6ŒŽ No.879 “ÁWFƒtƒ‰ƒ“ƒPƒ“ƒT[ƒ‰[/ƒZƒKƒ“ƒeƒB[ƒj/›–ØŽu—Y/ƒ€ƒ“ƒNv

1978”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1978”N7ŒŽ No.880 “ÁWFÖ“¡‹`d/‰ªŽ­”V•/’C–ì“oŒbŽqv

1978”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1978”N8ŒŽ No.881 “ÁWFŠÝ“c—«¶/ƒ}ƒ‹ƒeƒB[ƒj/ƒAƒƒŠƒJ”üp‚̃Vƒ“ƒNƒƒ~ƒYƒ€v

1978”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1978”N9ŒŽ No.882 “ÁWFƒEƒBƒŠƒAƒ€EƒuƒŒƒCƒN/70”NˆÈŒã‚̃Xƒeƒ‰/Šâ–{‘ñ˜Yv

1978”NA”üpo”ÅŽÐ

600‰~

u‚݂Âï 1978”N10ŒŽ No.883 “ÁWFƒWƒ”ƒFƒ‹ƒj[‚̃‚ƒl/‚iEƒWƒ‡[ƒ“ƒY/ƒm[ƒ‰ƒ“ƒh/ŽR“c³—ºv

1978”NA”üpo”ÅŽÐ

600‰~

u‚݂Âï 1978”N11ŒŽ No.884 “ÁWFƒWƒƒƒbƒNEƒJƒ/ƒJ[ƒ‹EƒAƒ“ƒhƒŒ/‰|‘qN“ñ/ƒhƒ‰ƒNƒƒv

1978”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1978”N12ŒŽ No.885 “ÁWFƒhƒK/‚¼ŽŸ˜Y/ƒ|ƒ“ƒyƒC‚Ì”üp/Œ´Œû“T”Vv

1978”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1979”N1ŒŽ No.886 “ÁW:ƒ~ƒ‚Ì’¤v

1979”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1979”N2ŒŽ No.887 “ÁW:ƒƒVƒAEƒCƒRƒ“v

1979”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1979”N3ŒŽ No.888 “ÁW:ƒ}[ƒNEƒƒXƒRv

1979”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1979”N4ŒŽ No.889 “ÁW:ƒVƒƒƒ‹ƒ_ƒ“v

1979”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1979”N5ŒŽ No.890 “ÁW:ƒh[ƒ~ƒG‚Ì慎hv

1979”NA”üpo”ÅŽÐ

600‰~

u‚݂Âï 1979”N6ŒŽ No.891 “ÁW:‰l‹ãv

1979”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1979”N7ŒŽ No.892 “ÁW:rìCìv

1979”NA”üpo”ÅŽÐ

700‰~

u‚݂Âï 1979”N8ŒŽ No.893 “ÁW:Œj‚ä‚«v

1979”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1979”N9ŒŽ No.894 “ÁW:ƒA[ƒVƒ‹EƒS[ƒL[v

1979”NA”üpo”ÅŽÐ

600‰~

u‚݂Âï 1979”N10ŒŽ No.895 “ÁW:’߉ª­’jv

1979”NA”üpo”ÅŽÐ

500‰~

u‚݂Âï 1979”N11ŒŽ No.896 “ÁW:’·’JìŒ‰v

1979”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1979”N12ŒŽ No.897 “ÁW:ƒhƒ[ƒl[v

1979”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1980”N1ŒŽ No.898 “ÁWF‘O“cŠ°Ž¡v

1980”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1980”N2ŒŽ No.899 “ÁWFƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚̐¸_v

1980”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1980”N3ŒŽ No.900 ‘nŠ§900†‹L”O“ÁWF…Ê‰æ‰ÆE‘剺“¡ŽŸ˜Yv

1980”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1980”N4ŒŽ No.901 “ÁWFŽRŒû’·’jv

1980”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1980”N5ŒŽ No.902 “ÁWF‚¼ŽŸ˜Yv

1980”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï 1980”N6ŒŽ No.903 “ÁWFo“‡ŠGŽtEìŒ´Œc‰êv

1980”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1980”N7ŒŽ No.904 “ÁWF•l“c’m–¾v

1980”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1980”N8ŒŽ No.905 “ÁWFƒ`ƒxƒbƒg‚̃}ƒ“ƒ_ƒ‰v

1980”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï 1981”N11ŒŽ No.920 “ÁWF1950”N‘ã”üpv

1981”NA”üpo”ÅŽÐ

600‰~

u‚݂Âï 1981”N12ŒŽ No.921 “ÁWF1960”N‘ã”üpv

1981”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï No.923 “ÁWFƒƒRƒR‚ÌŽO‚‚̐ù—¥ ƒƒg[/ƒu[ƒVƒF/ƒVƒƒƒ‹ƒ_ƒ“v

1982”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï No.925 “ÁWFáS‚é–¼‰æ ƒCƒ^ƒŠƒAEƒ‹ƒlƒTƒ“ƒXC•œ‚̐¬‰Êv

1982”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï No.926 “ÁWFƒqƒGƒƒjƒ€ƒXEƒ{ƒbƒX‚Ɖ¹Šyv

1983”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï No.927 “ÁWFƒCƒ”Eƒ^ƒ“ƒM[Aƒtƒ‰ƒ“ƒVƒXEƒx[ƒRƒ“v

1983”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï No.928 “ÁWFƒGƒhƒDƒA[ƒ‹Eƒ}ƒlv

1983”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‚݂Âï No.932 “ÁWFƒMƒ…ƒXƒ^[ƒ”Eƒ‚ƒ[v

1984”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï No.933 “ÁWF]ŒË‚̃Oƒ‰ƒ“EƒGƒLƒZƒ“ƒgƒŠƒbƒNv

1984”NA”üpo”ÅŽÐ

800‰~

u‚݂Âï No.934 “ÁWFƒtƒ@ƒuƒŠƒcƒBƒIEƒNƒŒƒŠƒ`v

1985”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§‚݂Âï 1989”Nt No. 950 ƒAƒ“ƒfƒBEƒEƒH[ƒzƒ‹v

1989”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê
ƒy[ƒW‚̐擪‚Ö

 
ŸŽGŽ ‹GŠ§”ʼnæ‚ÌŠÖ˜A¤•iiŒÃ‘j

u‹GŠ§”Å‰æ ‘nŠ§† ’r“c–žŽõ•vƒIƒŠƒWƒiƒ‹“º”ʼnæ“üŒÀ’è”Łv

1968”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 2† “ÁWF‘æ6‰ñ“Œ‹ž‘Û”ʼnæƒrƒGƒ“ƒi[ƒŒ“Wv

1969”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 3† “ÁWFÀ’k‰ïE”ʼnæ‚ƃfƒUƒCƒ“v

1969”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 4† “ÁWF'69”Nt‚̏GìƒxƒXƒg5v

1969”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 5†iƒIƒŠƒWƒiƒ‹”ʼn指jv

1969”NA”üpo”ÅŽÐ

500‰~

u‹GŠ§”ʼnæ 6† “ÁWFŒ»‘ã”ʼnæ‚̏󋵁v

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 7† •l“c’m–¾ƒIƒŠƒWƒiƒ‹“º”ʼnæ“üŒÀ’è”Łv

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 8† Ö“¡ŽõˆêƒIƒŠƒWƒiƒ‹“º”ʼnæ“üŒÀ’è”Łv

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 9† ƒIƒmƒTƒgEƒgƒVƒmƒuƒIƒŠƒWƒiƒ‹”ʼnæ“üŒÀ’è”Łv

1970”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 10† “ÁWF‘æ7‰ñ“Œ‹ž‘Û”ʼnæƒrƒGƒ“ƒi[ƒŒ“Wv

1971”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 11† “ÁWFƒhƒCƒc•\Œ»Žå‹`‚̔ʼnæv

1971”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê

u‹GŠ§”ʼnæ 12† •è²ƒIƒŠƒWƒiƒ‹”ʼnæ“üŒÀ’è”Łv

1971”NA”üpo”ÅŽÐ

ÝŒÉØ‚ê
ƒy[ƒW‚̐擪‚Ö

 
ŸŽGŽ –{‚ÌŽè’Ÿ‚ÌŠÖ˜A¤•iiŒÃ‘j

u–{‚ÌŽè’Ÿ 1963”N6ŒŽ No.24 “ÁWF‹àŽqŒõ°v

1963”NAºXŽÐ

500‰~

u–{‚ÌŽè’Ÿ 1963”N7ŒŽ No.25 “ÁWF•ƒ‚ðŒê‚év

1963”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1963”N8ŒŽ No.26 “ÁWF”üp‰Æ‰æ•¶Wv

1963”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1963”N9ŒŽ No.27 “ÁWF–¯Œ|”h“ñì‰Æv

1963”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1963”N10ŒŽ No.28 “ÁWF¼˜e‡ŽO˜Y‚̐l‚ƍì•iv

1963”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1963”N11ŒŽ No.29 “ÁWFƒWƒƒƒ“EƒRƒNƒg[’Ç“‰v

1963”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1963”N12ŒŽ No.30 “ÁWF‹g—˜Žx’O‚Ƙa—–•¶‰»Œ¤‹†v

1963”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1964”N1ŒŽ No.31 “ÁWF•¶•M‰Æ‰æ•¶Wv

1964”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1964”N3ŒŽ No.32 “ÁWFƒƒVƒ„•¶Šwv

1964”NAºXŽÐ

500‰~

u–{‚ÌŽè’Ÿ 1964”N4ŒŽ No.33 “ÁWFƒVƒFƒCƒNƒXƒsƒA¶’aŽl•S”N‹L”Ov

1964”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1964”N5ŒŽ No.34 “ÁWFˆ—‰ÌWv

1964”NAºXŽÐ

700‰~

u–{‚ÌŽè’Ÿ 1964”N6ŒŽ No.35 “ÁWFŽOD’BŽ¡’Ç“‰†v

1964”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1964”N8ŒŽ No.36 “ÁWF²“¡t•v’Ç“‰†v

1964”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1964”N9ŒŽ No.37 “ÁWF‘åO•¶ŠwŒ¤‹†v

1964”NAºXŽÐ

500‰~

u–{‚ÌŽè’Ÿ 1964”N10ŒŽ No.38 “ÁWF–¼–󎍏Wv

1964”NAºXŽÐ

500‰~

u–{‚ÌŽè’Ÿ 1964”N11ŒŽ No.39 “ÁWFƒ_ƒŠ‚ƃGƒ‹ƒ“ƒXƒgv

1964”NAºXŽÐ

800‰~

u–{‚ÌŽè’Ÿ 1965”N1E2ŒŽ No.41 “ÁWFì‰Æ‚Ɖæ‰Æ‚̌𗬁v

1965”NAºXŽÐ

500‰~

u–{‚ÌŽè’Ÿ 1965”N3ŒŽ No.42 “ÁWFT.S. ƒGƒŠƒIƒbƒg’Ç“‰v

1965”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1965”N4ŒŽ No.43 “ÁWF’Ç“‰E˜I•—EçË䪁EŒ³‹gv

1965”NAºXŽÐ

700‰~

u–{‚ÌŽè’Ÿ 1965”N6ŒŽ No.44 “ÁWF’ҏ‚̐l‚ÆŽv‘zv

1965”NAºXŽÐ

500‰~

u–{‚ÌŽè’Ÿ 1965”N7ŒŽ No.45 “ÁWF•¶Šw‚ƃGƒƒeƒBƒXƒ€v

1965”NAºXŽÐ

700‰~

u–{‚ÌŽè’Ÿ 1965”N8ŒŽ No.46 “ÁWFí‘ˆ‚Æ•¶Šwv

1965”NAºXŽÐ

700‰~

u–{‚ÌŽè’Ÿ 1965”N9ŒŽ No.47 “ÁWFƒŠƒgƒ‹Eƒ}ƒKƒWƒ“v

1965”NAºXŽÐ

500‰~

u–{‚ÌŽè’Ÿ 1965”N10ŒŽ No.48 “ÁWF‚Œ©‡’Ç“‰†v

1965”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1965”N11ŒŽ No.49 “ÁWFƒTƒ‹ƒgƒ‹Œ¤‹†v

1965”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1965”N12ŒŽ No.50 “ÁWFì‰Æ‚ÆŽ©ŽEv

1965”NAºXŽÐ

700‰~

u–{‚ÌŽè’Ÿ 1966”N1E2ŒŽ No.51 “ÁWFƒ|ƒXƒ^[v

1966”NAºXŽÐ

700‰~

u–{‚ÌŽè’Ÿ 1966”N3ŒŽ No.52 “ÁWFì‰Æ‚Ì“ú‹Lv

1966”NAºXŽÐ

700‰~

u–{‚ÌŽè’Ÿ 1966”N4ŒŽ No.53 “ÁWF–xŒû‘åŠwv

1966”NAºXŽÐ

500‰~

u–{‚ÌŽè’Ÿ 1966”N9ŒŽ No.57 “ÁWFƒzƒAƒ“Eƒ~ƒv

1966”NAºXŽÐ

1,500‰~

u–{‚ÌŽè’Ÿ 1966”N10ŒŽ No.58 “ÁWFƒ_ƒ_50”Nv

1966”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1968”N1E2ŒŽ No.71 “ÁWFƒVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€Žlv

1968”NAºXŽÐ

ÝŒÉØ‚ê

u–{‚ÌŽè’Ÿ 1968”N7ŒŽ No.75 “ÁWFƒVƒ…[ƒ‹ƒŒƒAƒŠƒXƒ€‚ÆŒ|pv

1968”NAºXŽÐ

1,500‰~

u–{‚ÌŽè’Ÿ 1969”N8ŒŽ No.83 “ÁWF‘ëŒûC‘¢v

1969”NAºXŽÐ

ÝŒÉØ‚ê


ƒy[ƒW‚̐擪‚Ö

 
ŸƒVƒ…ƒ‹ƒŒƒAƒŠƒXƒ€‚Ì‘ã•\“Iì‰Æi”ʼnæj

ƒnƒ“ƒXEƒxƒ‹ƒ[ƒ‹

u—x‚èŽqvyŠz•tz


1968”NAƒGƒbƒ`ƒ“ƒOAed.50A’¼•MƒTƒCƒ“—L

120,000‰~

ƒTƒ‹ƒoƒh[ƒ‹Eƒ_ƒŠ

u–Ñ”ç‚̃”ƒB[ƒiƒXv‚æ‚èuƒgƒ‹ƒ\[vyŠz•tz


1969”NAƒGƒbƒ`ƒ“ƒOAed.145A’¼•MƒTƒCƒ“—L

60,000‰~

ƒ|[ƒ‹Eƒfƒ‹ƒ”ƒH[

u’¬‚Ì‹ß‚­v


1969”NAƒŠƒgƒOƒ‰ƒtAed.75A’¼•MƒTƒCƒ“—L

250,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uLe plus beau mur de mon royaumev


1972”NAƒGƒbƒ`ƒ“ƒOAed.100A’¼•MƒTƒCƒ“—L

150,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uLewis Carrolls Wunderhornv‚æ‚èXVIII


1970”NAƒŠƒgƒOƒ‰ƒtAed.69A’¼•MƒTƒCƒ“—L

65,000‰~

ƒ}ƒ“EƒŒƒC

uƒTƒ“EƒWƒƒƒ“EƒhEƒŠƒ…ƒY‚Ì–évyŠz•tz


1968”NAƒŠƒgƒOƒ‰ƒtAed.EAA’¼•MƒTƒCƒ“—L

100,000‰~

ƒAƒ“ƒhƒŒEƒ}ƒbƒ\ƒ“

uWave of the Futurev


1974”NAƒŠƒgƒOƒ‰ƒtAed.HCA’¼•MƒTƒCƒ“—L

60,000‰~

ƒWƒ‡ƒAƒ“Eƒ~ƒ

uQuiriquibuvyŠz•tz


1976”NAƒŠƒgƒOƒ‰ƒtAed.99A’¼•MƒTƒCƒ“—L

180,000‰~
ƒy[ƒW‚̐擪‚Ö

 
Ÿƒ|ƒXƒ^[

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Affiche pour Humanae Vitae)v

1969”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

ÝŒÉØ‚ê

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Wunderhorn)v


1970”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

15,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(La ballade du soldat)v

1972”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

ÝŒÉØ‚ê

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Affiche pour Wunderhorn)v


1970”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Affiche pour Dechets d'Atelier)v


1968”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Nieces)v


1966”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Affiche pour La Hune II)v


1970”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Affiche pour Surprises du hasard)v


1971”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Affiche pour l'Orangerie)v


1971”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Festin)v


1974”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒ}ƒbƒNƒXEƒGƒ‹ƒ“ƒXƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Galerie du Chapitre)v


1976”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒpƒuƒEƒsƒJƒ\

uƒIƒtƒZƒbƒgƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Galeria Joan Prats 1977)v


1977”NAƒIƒtƒZƒbƒgƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

9,000‰~

ƒWƒ‡ƒAƒ“Eƒ~ƒ

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Fundacio Joan Miro 1976)v


1976”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

5,000‰~

ƒWƒ‡ƒAƒ“Eƒ~ƒ

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Quiriquibu 1976)v


1976”NAƒŠƒgƒOƒ‰ƒtAed.2000A”ŏãüžƒTƒCƒ“—L

9,000‰~

ƒAƒ“ƒgƒjEƒ^ƒsƒGƒX

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(encres et vernis Tapies)v

1982”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

ÝŒÉØ‚ê

ƒAƒ“ƒgƒjEƒ^ƒsƒGƒX

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Poems from the catalan 1973)v


1973”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

4,000‰~

ƒAƒ“ƒgƒjEƒ^ƒsƒGƒX

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Sculptures Galerie Maeght Lelong 1986)v


1986”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

5,000‰~

ƒAƒ“ƒgƒjEƒ^ƒsƒGƒX

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(International Conference 1978)v


1978”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

4,000‰~

ƒAƒ“ƒhƒŒEƒ}ƒbƒ\ƒ“

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Vission Nouvelle)v


1972”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒAƒ“ƒhƒŒEƒ}ƒbƒ\ƒ“

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Gal. Leiris)v


1973”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

10,000‰~

ƒGƒhƒDƒAƒ‹ƒhEƒ`ƒŠ[ƒ_

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Dessins et reliefs 1970)v

1970”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

ÝŒÉØ‚ê

ƒAƒŒƒNƒTƒ“ƒ_[EƒJƒ‹ƒ_[

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Tapestry)v


ƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

5,000‰~

ƒAƒŒƒNƒTƒ“ƒ_[EƒJƒ‹ƒ_[

uƒVƒ‹ƒNƒXƒNƒŠ[ƒ“ƒ|ƒXƒ^[(Biennale Internationale)v


ƒVƒ‹ƒNƒXƒNƒŠ[ƒ“AƒTƒCƒ“–³

5,000‰~

ƒAƒŒƒNƒTƒ“ƒ_[EƒJƒ‹ƒ_[

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Figures and Images)v


ƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

5,000‰~

ƒWƒƒƒ“Eƒfƒ…ƒrƒ…ƒbƒtƒF

uƒVƒ‹ƒNƒXƒNƒŠ[ƒ“ƒ|ƒXƒ^[(Holland Gallery 1976)v


1976”NAƒVƒ‹ƒNƒXƒNƒŠ[ƒ“AƒTƒCƒ“–³

7,000‰~

ƒnƒ“ƒXEƒxƒ‹ƒ[ƒ‹

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[ 1970”N v


1970”N AƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

8,000‰~

ƒ‹ƒtƒB[ƒmEƒ^ƒ}ƒˆ

uƒ|ƒXƒ^[(Marlborough Fine Art 1979)v


1979”NAƒIƒtƒZƒbƒgAƒTƒCƒ“–³

4,000‰~

ƒVƒ…ƒUƒ“ƒkEƒ”ƒ@ƒ‰ƒhƒ“

uƒ|ƒXƒ^[(Musee National d'Art Moderne 1967)v


1967”NAƒIƒtƒZƒbƒgAƒTƒCƒ“–³

4,000‰~

ƒtƒŒƒfƒŠƒbƒNEƒAƒ}

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Galeria Joan Prats 1983)v


1983”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

3,000‰~

ƒAƒ}ƒfƒIEƒKƒrƒm

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Galeria Joan Prats 1980)v


1980”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

3,000‰~

ƒWƒ‡ƒZƒbƒvEƒMƒmƒoƒ‹ƒg

uƒŠƒgƒOƒ‰ƒtƒ|ƒXƒ^[(Art Expo New York 1980)v


1980”NAƒŠƒgƒOƒ‰ƒtAƒTƒCƒ“–³

2,000‰~

ƒyƒbƒvEƒfƒ…ƒ‰ƒ“

uƒ|ƒXƒ^[(Galeria Joan Prats 1984)v


1984”NAƒIƒtƒZƒbƒgAƒTƒCƒ“–³

2,000‰~
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